Page 24 - Hussein revivalism14
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Interview








                                                                       Arabic




                                                                       Calligrapher



                                                                       Honda Kōichi








                                 Leaving His Mark on





                                 an Ancient Art






        The art of Arabic calligraphy has   under the long-distance guidance    HONDA KŌICHI: I was working
        been honed over more than a         of Turkish calligrapher Hasan Çelebi,  in Saudi Arabia and other Middle
        millennium, reaching an astounding   from whom he received his Ijaza    Eastern countries as an interpreter
        level of artistic perfection. One   diploma as a master calligrapher in   for a Japanese firm. Our company
        renowned practitioner of the art    2000.                               had been hired to create maps
        today is Honda Kōichi, who first    Kōichi has won numerous awards      of the region, and I went there as
        encountered Arabic calligraphy      for his work, starting with the     part of its project team. We took
        while working in the Middle East.   Jury’s Encouragement Prize at       aerial photographs of the region
        Honda was interviewed to learn      the 1990 International Arabic       and conducted on-the-ground
        more about the art and how he has   Calligraphy Contest. His published   surveys, recording the names
        lent it a new vitality.             works include Pasupōtoshokyū        of riverbeds, hills, and other
                                            Arabiagojiten (‘The passport        topographical features. We then
        Honda Kōichi is the President       beginner’s Arabic dictionary’),     took this information to the Saudi
        of the Japan Arabic Calligraphy     Arabiago no nyūmon (‘An             Ministry of Petroleum in Riyadh,
        Association and a professor of      introduction to Arabic’), and Arabia   where calligraphers wrote in the
        international relations at Daitō    moji o kaitemiyōyondemiyō (‘Try     names that we had recorded. I was
        Bunka University. Kōichi was born   writing and reading Arabic’), as well   struck by how beautiful the Arabic
        in 1946 in Kanagawa Prefecture      as a collection of his calligraphy   characters they wrote were; even for
        and in 1969 graduated from Tokyo    works titled Arabia shodō no        a Japanese person like myself, the
        University of Foreign Studies, where  uchū (‘The universe of Arabic     shapes were enthralling.
        he studied Arabic. He joined the    calligraphy’).                      The supervisor accompanying us
        Pacific Aerial Survey Company in                                        from the government ministry was
        1975 and spent the next five years   INTERVIEWER: When did              also a calligrapher, so I asked him
        in the Middle East, where he picked   you first encounter Arabic        to teach me more about the art. He
        up the basics of Arabic calligraphy.   calligraphy?                     loaned me a book on the alphabet
        He continued to teach himself                                           and a reed pen. I would copy down
        calligraphy after returning to Japan                                    the characters and show them to


          24 Hussein Revivalism
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