Page 9 - The Planets & Forecast
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Planets & Forecast                                                        Mar.-18


    purpose of my present discussion,       hearts of his readers with the nectar
    commercial literature does not come     of poetic sentiments and has excelled
    under its purview and has been          himself as a unique creator of new
    deliberately excluded. The commercial   literature. Even his own latter poetic
    literature has the only and principal aim  contributions composed on items
    of giving publicity to a particular     embracing nationalist or theistic
    principle or standard among the people  consciousness don't stand to compete
    and invite their attention to the same.  with his poetic genius expressed in
    But by literature, what we generally    Dhupa. In my opinion, the principal
    mean and understand is not linked with  cause of such deterioration is that he
    any advertisement or propaganda. It is  subsequently wanted to create
    of course natural that the reader is    literature to suit to the then
    influenced, guided and moulded by the   contemporary ideas and to establish
    literary ideas of the writer as these are  himself as a famous poet. This has
    inseparable from his contributions. But  stood in the way of creating epoch
    it is to be remembered that the novelty,  making literature in his latter days.
    speciality or uniqueness and pictoriality  Certain   reformative      ideas,
    in the style of literary contributions are  philosophical grandeur, religious
    quite personal to the creator. Besides  theories and high moral ideals cannot
    this, to enthrill the hearts of the readers  make their inventors great poets. The
    by expressing his ideas or to instill a  poet of Dhupa, Mansingh, in his later
    sense of sympathy or empathy in their   life turned out, in repentance as it were,
    hearts or to enthuse them anew and      to be out and out abnormally addicted
    issue counsels from the chair of        to morals and ideals. But judged from
    instructors or directors are not quite  the standpoint of literature, his poem,
    the same thing. I am therefore of the   'Dhupa' alone would remain as an
    humble opinion that there is no direct  immortal literary creation even if it be
    relation between literature and morality.  untraditional in any sense.
        Let us now try to understand this       Not only acceptance or agreement
    position taking the help of certain     but regimentation, revolution, renovation
    examples. The famous romantic poet      and reawakening are noticeable in
    Mansingh has quite boldly given up all  literature. Departure from tradition and
    traditional moral impositions and cried  creating new encyclopaedia for finding
    out in a sentimental down-pour in his   new meanings, new uses and new
    'Sin and Love', of Dhupa, an anthology  forms is more covetable than mere
    of poems.                               blind attachment to tradition.
        Here the question in regard to          The above spirit is also echoed in
    vice-virtue distinction does not at all  the literature of contemporary ultra-
    arise; rather love, seer love, has made  modern poets like Sachi Rautray and
    the poet lose his own self in ecstasy   many others. Poet Rautray's
    and exuberance and such similar         revolutionary ideas in his famous
    sentiments have also been let loose in  'Pandulipi' would be treated as anti-
    the hearts of the readers. In another   social and irreligious in any
    poem 'The Penance of the Beloved'       conservative society.
    collected under the said anthology, the     Besides this, the poet has not
    same tradition-free ideas have been     spared even the age-old famous artistic
    nurtured. If not acceptable from the    and sculptural black pagoda, 'Konark'
    standpoint of conservative social       from his revolutionary attack to break
    inhibitions of tradition, poet Mansingh  down the traditional values.
    has been successful in inundating the                           ( )  Page 21)
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