Page 22 - Composing Processes and Artistic Agency

Introduction 11
Geertz, Clifford (1973) “Thick description: Toward an interpretive theory of culture”.
In Clifford Geertz, The Interpretation of Cultures: Selected Essays. New York: Basic
Books, 3–30.
Giddens, Anthony (1984) The Constitution of Society. Outline of the Theory of
Structuration. Berkeley: University of California Press.
Hargreaves, David, Miell, Dorothy and MacDonald, Raymond (eds.) (2012) Musical
Imaginations: Multidisciplinary Perspectives on Creativity, Performance and
Perception. Oxford: Oxford University Press.
Hill, Juniper (2012) “Imagining creativity: An ethnomusicological perspective on how
belief systems encourage or inhibit creative activities in music”. In David Har-
greaves, Dorothy Miell and Raymond MacDonald (eds.) Musical Imaginations:
Multidisciplinary Perspectives on Creativity, Performance, and Perception. Oxford:
Oxford University Press, 87–104.
Niederauer, Martin (2014) Die Widerständigkeiten des Jazz: Sozialgeschichte und
Improvisation unter den Imperativen der Kulturindustrie. Frankfurt am Main: Peter
Lang.
Niederauer, Martin (2016) “Male hegemony in jazz. Trying to understand one impor-
tant element of jazz’s gender relations”. In Wolfram Knauer (ed.) Gender and Iden-
tity in Jazz (Darmstädter Beiträge zur Jazzforschung, Vol. 14). Hofheim: Wolke
Verlag, 125–145.
Peterson, Richard A. (1990) “Why 1955? Explaining the Advent of Rock Music”.
Popular Music, 9(1): 97–116.
Polanyi, Michael (1958) Personal Knowledge: Towards a Post-Critical Philosophy.
London: Routledge.
Robbins, Philip and Aydede, Murat (2009) “A short primer on situated cognition”.In
Philip Robbins and Murat Aydede (eds.) The Cambridge Handbook of Situated
Cognition. Cambridge: Cambridge University Press, 3–10.
Roels, Hans (2013) “Data-collection methods and reflection within a self-study on
the creative process of music composition”. In Johan Verbeke, Burak Pak and
Gudrun de Maeyer (eds.) Knowing (by) Designing. Proceedings of the conference
“Knowing (by) Designing”. Brussels: Luca, Departement Architectuur Sint-Lucas,
157–164.
Schatzki, Theodore (2014) “Art bundles”. In Tasos Zembylas (ed.) Artistic Practices:
Social Interactions and Cultural Dynamics. London: Routledge, 17–31.
Shove, Elizabeth, Pantzar, Mika and Watson, Matt (2012) The Dynamics of Social
Practice: Everyday Life and How It Changes. London: Sage.
Strauss, Anselm L. and Corbin, Juliet (1990) Basics of Qualitative Research: Grounded
Theory Procedures and Techniques. Thousand Oaks: Sage.
Szivós, Mihály (2014) “A practice-oriented classification of tacit knowledge for the
research into creativity and innovation”. Polanyiana,1–2(23): 21–30.
Taylor, Charles (1987/1995) “Overcoming epistemology”.InCharles Taylor, Philosophical
Arguments. Cambridge: Harvard University Press, 1–19.
Zembylas, Tasos (1997) Kunst oder Nichtkunst: Über Bedingungen und Instanzen
ästhetischer Beurteilung. Wien: WUV-Universitätsverlag/Facultas.
Zembylas, Tasos (ed.) (2014a) Artistic Practices: Social Interactions and Cultural
Dynamics. London: Routledge.
Zembylas, Tasos (2014b) “The concept of practice and the sociology of the arts”.In
Tasos Zembylas, (ed.) Artistic Practices: Social Interactions and Cultural Dynamics.
London: Routledge, 7–16.