Page 8 - Composing Processes and Artistic Agency

Figures

1.1 The topography of composing work 14
1.2 From Clemens Gadenstätter’s sketchbook for “Les Cris
des Lumières” 40
1.3 From Katharina Klement’s sketchbook for “lichte Sicht”
for 18 strings 42
2.1 The interrelatedness of various partial activities 63
3.1 Artistic practical forms of knowledge 98
3.2 Formal propositional forms of knowledge 98
4.1 Example of notes from Joanna Wosny’s “some remains”,
first system 137
4.2 From Joanna Wozny’s sketches for “some remains” 139
4.3 Operator interface for Karlheinz Essl’s work “Herbecks
Versprechen” 142
4.4 Section 1 of Karlheinz Essl’s work “Herbecks Versprechen”
(breathing – sputtering) 143
4.5 Section 9 of Karlheinz Essl’s work “Herbecks Versprechen”
(singing – like an organ [Orgeln]) 143
4.6 Graphical representation of the sound files (F minor to E minor)
from Marko Ciciliani’s work “LipsEarsAssNoseBoobs
(Gloomy Sunday)” 146
4.7 The beginning of Marko Ciciliani’s work
“LipsEarsAssNoseBoobs (Gloomy Sunday)” 147