Page 46 - Art Review
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In November, Brian Belott performed                                             in New York, was a kind of conceptual
            People Pie Pool, a massive ensemble work                                        ‘collage’ of children’s art. For part
            commissioned for Performa 17 in New                                             of the show, Belott forged paintings
            York. The performance involved (in part)                                        of his favourite children’s-art. This
            five comedians, a handful of basketball                                         work sat alongside hundreds of
            players, four academic lecturers, exercise                                      masterful children’s drawings, culled
            instructors, an improv troupe, dancers,                                         from the astonishing archive of art
            marching bands and an ‘orchestra’ that                                          educator Rhoda Kellogg. The show
            performed with can openers, golf balls   for his famed show at Radio City Music Hall    also included art classes for youth
            and tissues. In this way, the event recalled    in 1979, in which he took the entire audience out   in the surrounding Harlem community,
            a vaudevillesque variety show, alternating   for milk and cookies. To do so, Belott often works   most of whom plastered their own scribbles
            between old-fashioned knee-slapping    with a community of artists and friends in New   and finger paintings on the wall.
            fun and abstract stretches of tumbling,   York, including – full disclosure – this author. For   Together, the onslaught of work created
            punishing absurdity.                 People Pie Pool, I conducted a children’s choir while   a bewildering soup of authorship that left most
               At one point in the evening, Belott staged    standing in the middle of the audience. I’ve also   viewers unsure of what they were looking at.
            a parody of an art auction in which paintings    collaborated and exhibited with Brian, and once,   As he often does, Belott had cloaked himself
            by major artists (Joe Bradley, Katherine   at Performa 15, we (along with 30 other singers)   in the mundane, this time inhabiting the
            Bernhardt, Jamian Juliano-Villani, Eddie   surrounded a ridiculously long dining table    underappreciated artistry of the young, those
            Martinez, etc – all friends of Belott) were   of benefactors and demanded to be fed by them.  invisible outsider artists living among us.
            destroyed on stage and run through a paper   Belott is also well known for his paintings,   The gesture was not unlike his approach
            shredder. Finally, each painting was stuffed    which, like his performances, are both thrilling   to recent performances, in which he has trans-
            into a single plastic pen to be gifted back to each   and uncomfortable to experience. He likes to   formed himself into a collagist working at
            artist. Belott narrated the ordeal with the kind    prod his viewer’s sense of good taste with glittery,   the directorial level, an impresario attempting
            of stuttering, pun-filled nonsense and slapstick   gaudy colours and childish humour. He usually   to spin an impossible number of plates just
            humour that characterises many of his perfor-  works in long-term series, most of which collide   to watch them all come crashing onto the floor.
            mances, including the preposterous ‘fashion   painting against a collage of dollar-store mate-   Brian Belott  What are you doing?
            show’ held at London’s Serpentine Galleries    rials, including socks, wall fans, rocks, calcula-
            in 2016. The auction, with its anarchic approach   tors, remote controls, marshmallows and hair   ross simonini  I’m calling you.
            to the market, also recalled the stunt Belott    gel. The work strikes a curious balance between   BB  But you just called a second ago and hung up.
            used to raise funds for the event, in which    the simple chromatic pleasures of Henri Matisse
            he travelled to various museums in New York    and the crude energy of art brut.  rs  That was an accident.
            (the Whitney, the New Museum, etc) and sold    Belott’s most recent exhibition, Dr. Kid   BB  This is so inprofessional. Let it be known
            his work for ‘arbitrary’ sums.       President Jr. (2017), at Gavin Brown’s Enterprise    that the interviewer is inprofessional.
               Belott identifies his impulses as ‘Dada’ and
            seeks to invent a perfect mess of an experience,   People Pie Pool (detail), 2017, performance.    rs  I don’t think that’s a word.
            something like what Andy Kaufman achieved    Photo: Chris Sanders. Courtesy Performa 17, New York



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