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he describes his friend as a ‘boy wonder’, ‘far ahead of any (S CHCM S S@JD @ KNS NE HL@FHM@SHNM SN FN ?( L FNHMF SN ENQL @ ONKHSH-
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two kindred spirits sharing a strong, idealistic bond, based on a PDGH 7KH *R %HWZHHQV XQLTXH 7KHUH ZDV DOVR WKH XQXVXDO ZD\
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we were dreamers. It took off from that moment,’ Forster says. of musicians. Forster, for instance, was already writing songs and
However, he also admits to their competitiveness, likening their SOD\LQJ LQ 7KH *RGRWV ZKHQ KH PHW 0F/HQQDQ o, KDG WKLV UHDOL
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hind, then overtaking him again. posed to musicians who could obviously play but weren’t on your
‘It’s a tricky story to tell because there are so many personal ZDYHOHQJWK p :KLOH WKH )RUVWHUt0F/HQQDQ SDUWQHUVKLS IRUPHG WKH
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the magic. It’s a saga and that’s what I wanted to convey: the played a crucial role in shaping their sound and developing their
highs and lows and the joy and the pain of being in a band.’ ethic. As Morrison recounts, ‘I wanted the band rehearsing every
In addition to tracing the vicissitudes of the band mem day. That’s what I wanted. I was in the pocket with them because
bers’ personal relationships, the documentary explores what we spent so many hours just playing, over and over and over.’
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this picture is the historical, political and social context, which VWRU\ t IURP WKH PRPHQW )RUVWHU DQG 0F/HQQDQ PHW DV XQLYHU
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the viewer’s focus to their words. In this way, the speakers are Their memories and confessions are supported, enhanced and,
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nists’ – the band members – who speak from the farmhouse. bolstered by perhaps the most powerful storytelling tool of all:
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https://clickv.ie/w/metro/the-go-betweens
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FNS SGD RDMRD SG@S XNT VDQDM S RTOONRDC SN QNBJ SGD AN@S @MC Jasmine Crittenden is a Sydney-based freelance writer whose inter-
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@V@QD NE SGD ONKHBD She’s a senior writer at Concrete Playground, a senior writer at Music
Australia, a regular contributor to Metro and Screen Education,
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age of mannequins in shopfront windows, dressed in 1970s
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sure time, but the overpowering police presence creates an un DFFHVVHG 1RYHPEHU
settling contrast. Another interviewee, author and screenwriter 2 6HH 'DYLG %DUEHOHU o%ULVEDQH %ULGJH +RQRXUV /HJHQGDU\ %DQGp
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pacing and in faded colouring – call to mind the music video .ULY 6WHQGHUV TXRWHG LQ 0HJDQ /HKPDQQ o4 $ .ULY 6WHQGHUV
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While this adversarial atmosphere spawned numerous highly PDJD]LQH TD NULY VWHQGHUV ŷOPPDNHU QHZV VWRU\ D D D E
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poetic voice. As writer Clinton Walker, a friend of the band, explains: 6 7KH PXVLF YLGHR ZDV FR GLUHFWHG ZLWK AnWRQ\ &ODUH

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