Page 104 - Metro
P. 104

DOCUMENTARY













                                               BAND APART




                                               Music, Memory and Kriv Stenders’


                                               The Go-Betweens: Right Here
                                               Using a mosaic of interviews, re-enactments,
                                               historical footage and other archival material,
                                               *QHU 2SDMCDQR NEEDQR UHDVDQR @ jKLHB @BBNTMS
                                               NE SGD ENQL@SHNM  E@LD @MC DUDMST@K E@KKHMF NTS
                                               NE NMD NE  TRSQ@KH@ R MNV LNRS ADKNUDC l XDS  @S
                                               SGD SHLD  K@QFDKX TMCDQ@OOQDBH@SDC l QNBJ A@MCR
                                               writes Jasmine Crittenden.



                                               ‘   +NUDQR +@MD – we deliver this pop jewel and it brings us noth
                                               LQJ  /LNH  ĺQDQFLDOO\  QRWKLQJ  :H PD\ DV ZHOO KDYH SXW RXW D
                                               IUHH MD]] DOEXP p VD\V 5REHUW )RUVWHU  VLQJHU VRQJZULWHU RI WKH
                                               WLWXODU EDQG GLVFXVVHG LQ .ULY 6WHQGHUVp GRFXPHQWDU\ 3GD &N
                                               !DSVDDMR  1HFGS 'DQD (2017).
                                                 Formed in Brisbane in 1977 by Forster and fellow singer/song
                                               ZULWHU *UDQW 0F/HQQDQ  LQGHSHQGHQW URFN EDQG 7KH *R %HWZHHQV
                                               DWWUDFWHG OLWWOH SRSXODU DWWHQWLRQ RYHU WKHLU HLJKWHHQ \HDU FDUHHU
                                               which spanned 1977 to 1989 and then 2000 to 2006. Today,
                                               however, the group is considered one of the most inventive and
                                               important in Australian music history. Testament to this is the
                                               IDFW WKDW  LQ       WKH $XVWUDODVLDQ 3HUIRUPLQJ 5LJKW $VVRFLDWLRQ
                                                $35$  OLVWHG o&DWWOH DQG &DQHp IURP WKH EDQGpV VRSKRPRUH
                                               album, !DENQD 'NKKXVNNC, as one of the top thirty Australian
                                                                               1
                                               6RQJV RYHU WKH SUHFHGLQJ VHYHQW\ ĺYH \HDUV  despite the tune
                                               having never reached the local charts. Furthermore, in 2009, the
                                               Brisbane City Council announced that a new bridge would be
                                               QDPHG WKH o*R %HWZHHQ %ULGJHp LQ WKH EDQGpV KRQRXU  2
                                                 6WHQGHUVp GRFXPHQWDU\ LV D YLWDO  KRQHVW DQG UHYHODWRU\ SRU
                                               trait of its subjects, telling the stories not only of their songs, but
                                               DOVR RI WKHLU LQWHQVH DQG IUDXJKW UHODWLRQVKLSV t ERWK SODWRQLF DQG
                                               URPDQWLF  5DWKHU WKDQ DGRSWLQJ D VWUDLJKWIRUZDUG  H[SRVLWRU\ DS
                                               SURDFK  6WHQGHUV FUHDWHV D FROODJH RI LQWHUYLHZV  FRQYHUVDWLRQV
                                               SKRWRJUDSKV  YLGHR IRRWDJH  UH HQDFWPHQWV  OLYH SHUIRUPDQFHV
                                               and music recordings. He structures these both chronologically,
                                               by presenting events in historical order, and visually, by con
                                               tinually returning to a farmhouse in an unnamed location in
                                               4XHHQVODQG  ZKHUH FRQWHPSRUDU\ LQWHUYLHZV ZLWK EDQG PHP
                                               bers take place. As various players arrive and depart, it becomes
                                               clear that the property represents the band itself. The only mem
                                               EHU PLVVLQJ LV 0F/HQQDQ  ZKR WUDJLFDOO\ GLHG RI D KHDUW DWWDFN LQ
                                                     DW WKH DJH RI IRUW\ HLJKW
                                                 o:H JDWKHUHG RQ P\ VLVWHUpV IDUP LQ WKLV ROG UDPEOLQJ 4XHHQV
                                               ODQG PDQVLRQ p H[SODLQV 6WHQGHUV LQ DQ 2!2 ,NUHDR interview,
         This spread, L–R:
         2OBERT &ORSTER AND ,INDY
         -ORRISON  !MANDA "ROWN                RN HS V@R JHMC NE KHJD FQNTMC YDQN  KHJD /DVW <HDU LQ 0DULHQEDG
         'RANT -C,ENNAN  -ORRISON              : K@HM 1DRM@HR      <  3GDX @KK BNMEDRRDC SGDHQ RSNQHDR  RN HS R JHMC
         2OBERT 6ICKERS AND &ORSTER            NE @M NQ@K GHRSNQX  3GD GNTRD HR UDQX DUNB@SHUD  @ QD@KKX AD@TSHETK




        102 • Metro Magazine 195  |  © ATOM
   99   100   101   102   103   104   105   106   107   108   109