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issues, including suicide attempts. Another performer talks  2ONNJDQR doesn’t hide from the spectre of this fraught
                 DERXW JUDSSOLQJ ZLWK KLV +,9 SRVLWLYH GLDJQRVLV  DQG 2ONNJDQR  narrative. Indeed, Habicht tackles it directly, asking several
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                 man’s coming out and the antagonistic reaction of his family.  harmful consequences of their performances on the wellbe
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                 having – as 3@KDR NE SGD "HSX author Armistead Maupin would
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                 in. When I got to art school, all of us were like, “Oh my god,   SGDX VDQDM S BNMRBHNTRKX QD DM@BSHMF GHRSNQX
                 king of the nerds.”’
                   For Habicht, the camera is a shield. For the subjects of  Habicht detects, in these interviews, a naivety that he himself
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                 horror movie. As the director explains:        an alternative route that he had not previously envisaged.
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                                                                family, Habicht draws parallels between his avowedly alterna
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                 even considers another staff member, young Mormon Huia  DW}WKHLU DJH
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                 Pennywise from It – to be a spiritual twin brother. ‘Meeting   ( C FHUD SGDL @ LDC@K  3GD SGHMF ( G@UD KD@QMDC LNRS EQNL
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                 Bearing on the past
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                 tients of having been subjected to abuse. Habicht reached  .QHFHM@KKX G@HKHMF EQNL &K@RFNV  2SDOGDM   1TRRDKK HR @
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                 camera who’s a little bemused by the building’s new life as an  @ KHEDKNMF O@RRHNM ENQŭkKL     m
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                 spent eighteen years institutionalised there as a young woman.  Endnotes
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                 research, support and education at the University of Auckland.          !  DFFHVVHG   1RYHPEHU
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                 ful stereotypes surrounding mental illness. Her heartfelt,  of Cinema  LVVXH     $SULO        KWWS   VHQVHVRIFLQHPD
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                 While, by the time of our interview, Florian hadn’t had a chance  REMHFWLG        !  DFFHVVHG   1RYHPEHU
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                 come to see some worth in what they are doing there, even if    KRVSLWDO WR KDXQWHG KRXVH IRUPHU SDWLHQWV FULWLFLVH VSRRNHUV>,
                 she does not fully agree with their methods.     DFFHVVHG  }1RYHPEHU




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