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issues, including suicide attempts. Another performer talks 2ONNJDQR doesn’t hide from the spectre of this fraught
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in. When I got to art school, all of us were like, “Oh my god, SGDX VDQDM S BNMRBHNTRKX QD DM@BSHMF GHRSNQX
king of the nerds.”’
For Habicht, the camera is a shield. For the subjects of Habicht detects, in these interviews, a naivety that he himself
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horror movie. As the director explains: an alternative route that he had not previously envisaged.
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family, Habicht draws parallels between his avowedly alterna
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even considers another staff member, young Mormon Huia DW}WKHLU DJH
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tients of having been subjected to abuse. Habicht reached .QHFHM@KKX G@HKHMF EQNL &K@RFNV 2SDOGDM 1TRRDKK HR @
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spent eighteen years institutionalised there as a young woman. Endnotes
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research, support and education at the University of Auckland. ! DFFHVVHG 1RYHPEHU
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