Page 96 - Metro

Steeling himself to investigate Spookers, Habicht
witnessed not only the incredible talent of the
predominantly young crew, but also the enviable
camaraderie shared between them.

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vampires to terrorise foolhardy locals and tourists who LQWR GDEEOLQJ LQ VKRUW ĺOPV LQ ZKLFK KH FDVW KLV IULHQGV
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initially reluctant to pursue Walker’s tip. ‘I don’t need to go VLJQHU DQG DFWRU LQ KLV SURIHVVLRQDO ĺOPV 7KH XQQHUYLQJ
somewhere to get chased by someone with a chainsaw,’ +HDADRSQĈTLD IHDWXUHV D UDWKHU )UHXGLDQ ORYH VFHQH EH
he says. ‘I’d rather jump in the ocean to feel alive and get WZHHQ 3HWHUV DQG +DELFKW 6U DQG UHĻHFWLQJ RQ KLV ZRUN
pounded by waves.’ DW}WKH WLPH WKH GLUHFWRU VD\V
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nessed not only the incredible talent of the predominantly ( V@R SGD NMKX NMD VGN CHC M@QQ@SHUD ADB@TRD VGDM ( V@R
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tween them. This ‘haunted’ setting seemingly houses a LX kKLR VDQD ETMMX @MC KNUD RSNQHDR SGDX FNS @ QD@KKX FNNC
family that comprises individuals who have not otherwise QDRONMRD EQNL SGD @TCHDMBD MC SGDM ( FNS GNNJDC
enjoyed much of a support network. Habicht then grasped
the real story: This playfulness and willingness to subvert form –
working from his gut, rather than a cinematic tradition
( VDMS SGDQD DWODBSHMF GNQQNQ ATS VGDM ( @QQHUDC ( R@V SGD – has inspired an intriguing career. The score, sound
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unseen, performers m and again starred Peters, this
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Road less well travelled
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Habicht relishes the unusual, the experimental and the as it is bewildering. As 2DMRDR NE "HMDL@ critic Philip
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Fine Arts in Auckland, he intended to follow in his father’s
photography footsteps, but found himself painting or (S HR @ kKL NE RSQ@MFD RNLDSHLDR I@QQHMF RDMR@SHNMR @ BHQBTR
drawing over his efforts, creating narrative sequences that @MC E@HQXS@KD @LAHDMBD @MC @ '@MRDK @MC &QDSDK KHJD OKNS-
almost resembled storyboards – which, ironically, Habicht KHMDŭHR RTAUDQSDC AX @ RTQQD@K RDMRD NE LDM@BD @BGHDUDC

94 • Metro Magazine 195 | © ATOM