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‘ When you put on a
                                                         mask and make-up, it’s
                                                         an opportunity to be
                                                         free, like you can express
                                                         yourself without fear …
                                                         when I saw them in make-
                                                         up, they weren’t afraid to
                                                         confront people, so it was
                                                         like me with my camera.’


                                                         —FLORIAN HABICHT







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                @QQDRSDC NQ OTMBGDC HM SGD E@BD.            Lifeline offered

                   In his documentary work, Habicht has been equally  %DUULHUV EHWZHHQ SHRSOH DUH VORZO\ GLVPDQWOHG DW 6SRRNHUV
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                PXG VSRUW GHUE\  $QG  ZKLOH +DELFKW FDVW WKH ODWH  JUHDW  house’s creepily colourful cast have formed an inspiring
                theatre actor, director and performance artist Warwick  ERQG  %HWZHHQ WKHLU MRNHV  WKHLU FDUU\ RQ DQG WKHLU WHUULI\
                Broadhead as Hugo in 6NNCDMGD@C, he later chroni   ing performances – which see them rewarded annually
                cled Broadhead’s fascinating and occasionally chal   DW 6SRRNHUVp RZQ 2p6FDUHV FHUHPRQ\ t WKHUHpV DOVR D
                lenging life in 1TAAHMFR EQNL @ +HUD ,@M (2008). In an  deeply human side to the documentary.
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