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1967). But Taylor’s Palmer in 3GD /HBSTQD 2GNV ,@M is also an $QWRQ\ , *LQQDQH *RUGRQ *OHQQ o3GD /HBSTQD 2GNV ,@M:
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in the local lake, Palmer is all too quick to sell off his interests to *RUGRQ *OHQQ 6FRWW 0XUUD\ o-RKQ 3RZHUp "HMDL@ /@ODQR,
his rivals and look towards new opportunities. Meanwhile, Pym LVVXH -XO\ SS t
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distributors who eked out a living and were in it for the long haul. West Melbourne, 1977.
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‘warily’ and demonstrate ‘an Australian resistance to change and +DUU\ 5RELQVRQ o/RQJ 'D\pV -RXUQH\ LQWR 6XFFHVVp 3GD !TKKDSHM,
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methods’. $V 6XVDQ 'HUPRG\ DQG (OL]DEHWK -DFND DOVR FODLP 'DYLG 6WUDWWRQ 3GD +@RS -DV 6@UD 3GD TRSQ@KH@M %HKL 1DUHU@K,
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and the audience asks for a song instead. This scene invokes the 1 6HH IRU H[DPSOH 6XVLH (LVHQKXWK o5HXQLRQ RI WKH 7KUHH :LOG 0HQp
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moment when the movie being screened goes out of sync and o6XSHUVWDU 5RG 7HDPV 8S ZLWK +LV 2OG 0DWH -RKQp The Daily Mirror,
the audience becomes restless is reminiscent of familiar situations 6HSWHPEHU DQG 'RQ *URYHV o7KH 0DQ\ )DFHV RI 5RXJK
from other movies about the transition to sound, like 2HMFHM HM SGD 'LDPRQG 5RGp TV Times 'HFHPEHU
1@HM 6WDQOH\ 'RQHQ *HQH .HOO\ 2 David Stratton, The Last New Wave: The Australian Film Revival $QJXV
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of hand to manage this conceit and emphasise its affection for 3 0RVW RI 3RZHUpV VXEVHTXHQW ZRUN ZDV LQ 79 DQG LQFOXGHG HSLVRGHV
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1@MFKD 1HUDQ, and its anachronistic appearance here, straight after atrical feature, Father LV D SRZHUIXO DFFRXQW RI WKH WUDXPDWLF
a scene that shows a poster promoting 3GD )@YY 2HMFDQ (Alan OHJDF\ RI 1D]L ZDU FULPHV VWDUULQJ 0D[ YRQ 6\GRZ
Crosland, 1927) pasted to the trunk of a tree, reveals a surpris 4 -RDQ /RQJ o6XIIHULQJ LQ 6LOHQFHp Nation Review }-XQH
ing and uncharacteristic lack of care in terms of historical verac 6HH 6WUDWWRQ RS FLW S
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and aesthetic change. The irony of this choice is further revealed .UDPHU The Sundowners )UHG =LQQHPDQQ %LOO\ %XGG
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the 1970s revival, one that promotes cultural nationalism yet looks 8 )RU DQ RYHUYLHZ RI WKLV UHVSRQVH VHH $QGUHZ 3LNH 5RVV &RRSHU
towards overseas models and markets as key inspirations. Australian Film, 1900–1977 UHY HGQ 2[IRUG 8QLYHUVLW\ 3UHVV
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edited collection and monograph forthcoming exploring the connec- FRXQW IRU WKH VXFFHVV RI -RDQ /RQJpV SURGXFWLRQ RI Caddie and the rel-
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