Page 25 - Metro

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2014) and *HKKHMF &QNTMC 'DPLHQ 3RZHU Australian EHLQJ D JHQUH ĺOPPDNHU LQ $XVWUDOLD IURP WKHLU OLPLWHG SHU
audiences have consistently disregarded the best that we VSHFWLYH DV ĺUVW WLPH IHDWXUH GLUHFWRUV WKH\ EHOLHYH D SRVL
have to offer in the genre realm. It’s a complex problem in tive change is afoot. ‘We don’t really see enough Australians
volving perception, marketing budgets and more, but, regard in genre material,’ says Howling.
less of "@QFN’s commercial performance, it’s already a winner
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have got an impressive debut under their belts – one that, TRSQ@KH@MR @QD RS@QSHMF SN ATX HMSN SGD KDFHSHL@BX NE HS :w<
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of this on their own terms, and in a fashion that genuinely ?'DQD R @M TRSQ@KH@M kKL
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"@QFN DV oDQ HOHYDWHG JHQUH ĺOPp undeniably, it’s a piece Her current project is a post-apocalyptic psycho-biddy thriller,
of cinema that emphasises theme and character over, say, VHSG OQNCTBDQ "@SGDQHMD /DSSL@M VGHBG G@R ADDM ETMCDC ENQ
YLVXDO HIIHFWV RU DFWLRQ 7KH GLUHFWRUV WHOO PH WKH\ ZHUH LQ development through Screen Australia and Screen Tasmania.
VSLUHG E\ WKH ODWH *HRUJH $ 5RPHURpV FODVVLF ]RPELH ĻLFNV She is also the director of Stranger With My Face International
though "@QFN straddles both arthouse and mainstream %HKL %DRSHU@K VGHBG V@R ENTMCDC HM HM 3@RL@MH@ @MC
aesthetics. ‘It’s not so stylised that it’s hard for people to QDBDMSKX M@LDC @R NMD NE 3GD 6NQKC R !KNNCXŭ!DRS &DMQD
GLJHVW RU FRQIURQWLQJ p FODULĺHV +RZOLQJ o>\HW@ QRW VR FRP Fests by MovieMaker magazine. m
mercial that you can predict what’s happening in the next
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and deliberately decided against providing an overarching KWWSV ZZZ VFUHHQGDLO\ FRP QHZV QHWŸL[ VZRRSV RQ ZRUOG
rationale for the zombies’ existence or behaviour. ‘You’re ULJKWV WR PDUWLQ IUHHPDQ ]RPELH PRYLH DUWLFOH>,
sort of throwing the audience in the middle of it and going, DFFHVVHG 1RYHPEHU
“This is what’s happening. This is the assumed knowledge.”’ &DXVHZD\ )LOPV RS FLW S }

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