Page 43 - Metro

‘ The local market is very small,
so I think you either decide
to do something unashamedly
Australian or it’s got to appeal to
an international market … We
MRXIRXMSREPP] QEHI E WGM Á ÁPQ
FIGEYWI MX¸W XLI OMRH SJ KIRVI ÁPQ
that can sell internationally even
if you don’t have big stars in it.’

—CHÉ BAKER

WKDW LV KLQWHG LQ WKH ĺOP , VSHQW D ORW RI WLPH LQ WKH ERRNV PDN 60 7KHUHpV D ORW PRUH VFLHQFH WKDW \RX FDQ DFFHVV LQ D QRYHO
LQJ VXUH WKDW WKH VFLHQFH ZRUNV DQG PDNHV VHQVH >f@ ,W FRXOG FRPSDUHG WR D ĺOP LQ VRPH ZD\V , WKLQN WKHUHpV D GLIIHUHQW OHYHO
EH}VRPHWKLQJ WKDW FRXOG EH TXLWH SRVVLEOH GRZQ WKH WUDFN of depth in the novel than in the series as it is mapped out at the
moment. It’s just a different medium to communicate often quite
7KH ODWH 2VFDU ZLQQLQJ FLQHPDWRJUDSKHU $QGUHZ /HVQLH ZDV D VLJ complex things.
QLğFDQW PHQWRU IRU \RX &KÒ :KDW ZHUH WKH EHVW SLHFHV RI DGYLFH
\RX WRRN IURP KLP" CB: A lot of our core audience don’t really care about the details
if they take you out of the story. But there’s a lot more to the
&% , FRXOG ZULWH D ERRN DERXW $QGUHZ /HVQLH +H ZDV JHQHUDOO\ VWRU\ DQG WR >WKLV@ ZRUOG :H ZRXOG ORYH WR GR WKH QH[W ĺOP EXW
one of the nicest, most generous people I have ever met. We ideally, I’d love to do a series because then you can have four
became very good friends, and he became a mentor in a lot of IXOO WLPH FUHZV ZRUNLQJ RQ WKUHH HSLVRGHV HDFK WKURXJKRXW WKH
ways. He would talk about everything, from old stories to how year and have a really sustainable, ongoing industry. That’s the
he achieved particular effects. Then he got me over to work with key, I think, to building sustainable production: to have projects
him on the 'NAAHS VHULHV +H QHYHU VKRW GLJLWDO RU ' EHIRUH 3GD WKDW DUHQpW QHFHVVDULO\ RQH RII WKLQJV EXW WKDW NHHS SHRSOH HP
'NAAHS KRZHYHU WKRVH ZHUH DUHDV , KDG H[SHULHQFH LQ VR LW ZDV ployed and build infrastructure as you go along. By that scale,
a really good opportunity to contribute to the technology side you get better value and things will begin to look better for the
while he was able to contribute his artistic side. He would’ve same budget because you don’t have to reinvent the wheel
shot !KTD 6NQKC .QCDQ for us if he had been available, but he every time you make a new project.
was super supportive and also very supportive of our own
'23}>5REE 6KDZ 9HO]HQ@ http://www.bwomovie.com

:LWKRXW UHYHDOLQJ DQ\WKLQJ Blue World Order LV OHIW TXLWH RSHQ .KHUDQ /EDHEEDQ HR @ 0TDDMRK@MC A@RDC kKL INTQM@KHRS VGN VQHSDR ENQ
HQGHG 'R \RX KDYH IXUWKHU LQVWDOPHQWV RU D VHULHV ĠHVKHG RXW" BBC Culture as well as SFX, SciFiNow and Total Film magazines.
He regularly pens celebratory retrospective features on classic and
&% :KHQ ZH ĺUVW VWDUWHG GHYHORSLQJ WKH VWRU\ ZH KDG D VHULHV cult cinema of yesteryear, and news stories on emerging Australian
7KH 3URGXFHU 2IIVHW IRU D IHDWXUH ĺOP LV SHU FHQW EXW LWpV RQO\ HMCDODMCDMS kKL 'HR VDARHSD HR http://www.oliverpfeiffer.com.au>. m
SHU FHQW IRU D VHULHV :H WKRXJKW LI ZH WDNH WKH ĺUVW FRXSOH
of ‘episodes’ and make it into a feature, that would be a way to Endnotes
actually get it done and leverage the Producer Offset. That was 1 The Rule of Knowledge SXEOLVKHG XQGHU WKH SHQ QDPH 6FRWW
sort of the impetus for doing that. But I have the novel, and I %DNHU +DFKHWWH $XVWUDOLD 6\GQH\ VHH KWWS ZZZ
KDYH IRXU >ERRNV@ SODQQHG RXW WKDW JLYH WKH EDFNVWRU\ WR WKH ZDU UXOHRINQRZOHGJH FRP! DFFHVVHG 1RYHPEHU
and what happens afterwards. 2 )RU ZKLFK %DNHU ZRUNHG DV RQ VHW FRORXULVW

www.metromagazine.com.au | © ATOM | Metro Magazine 195 • 41