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Dark City excites, tantalises and perplexes in equal measure. Peel
        back the surreal imagery and gallery of weird characters, and the
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        are, John is scratching through the shadows to uncover who he is.




        but shot as though enormous and oppressive in scope –  'UDYHQ  SOD\HG E\ /HH   ULVLQJ IURP WKH JUDYH WR DYHQJH KLV
        creating an omnipresent sense of the cityscape closing in  DQG KLV ĺDQFÆHpV PXUGHUV
        on itself. For its detective lead, the Humphrey Bogart–like  Proyas recalls that developing #@QJ "HSX’s screenplay
        Frank Bumstead (William Hurt), there is no respite, his  ZDV WKH ĺUVW FULWLFDO KXUGOH
        days spent investigating a series of murders committed
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        faces the very real possibility that he may be the serial   RSNQX  ATS RNLD NE HS :V@R< PTHSD FNNC  HM SG@S HS ENQBDC LD
        killer responsible for the crimes.           SN S@JD SGD M@QQ@SHUD HMSN @ LNQD KHMD@K CHQDBSHNM m HM E@BS
           #@QJ "HSX is steeped in a melange of artistic and literary  @ŭKNS LNQD KHMD@K @MC BNGDRHUD ENQ @ L@HMRSQD@L @TCHDMBD
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        Orwell’s dystopian classic -HMDSDDM $HFGSX %NTQ – with the  $ORQJVLGH FR ZULWHUV /HP 'REEV DQG JHQUH VSHFLDOLVW
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        peripheries of cinema:                       into something with a more conventional structure. ‘It went
                                                     through many studios,’ says Proyas.
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        the only cache worth a damn in cynical Hollywood, Proyas  'DUN &LW\ V@R PTHSD @ ODBTKH@Q DWODQHDMBD
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        partly autobiographical comics of the same name, 3GD "QNV  water murky from the blood of a naked sex worker lying
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