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               DMSR CHCM S G@UD SG@S LTBG :HMENQL@SHNM< SN FHUD LD  3GDX VDQD   WZR 86 DUPV WUDGHUV  DQG 3GD *HSD 1TMMDQ (Marc Forster, 2007),
               RN XNTMF VGDM SGDX LNUDC SN (Q@M               which pairs the guilt of a boy over his treatment of a friend with
                                                              the cruelty and violence of the Taliban.
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               LQ KHU PRWKHU DQG IDWKHUpV KRPHODQG  :KHQ KHU IDPLO\ HYHQWX   nuance, focusing on the plight of Afghans rather than that of
               ally moved back, they returned to the ‘small and isolated village  $PHULFDQV  WKRXJK WKH VKDGRZ RI WURXEOH UHPDLQV  ,UDQLDQ GL
               VRPHZKHUH LQ FHQWUDO $IJKDQLVWDQ ZKHUH >KHU@ SDUHQWV ZHUH  rector Mohsen Makhmalbaf’s *@MC@G@Q (2001) delves into the
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               they featured and her own experiences.         ZULWHU GLUHFWRU 6LGGLT %DUPDN  IROORZV D JLUO IRUFHG WR GUHVV
                 <HW  DV FDQ UHDVRQDEO\ EH H[SHFWHG  WKH HOHYHQ \HDU ROG  as a boy in order to provide for her family under the prevail
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               IRU}ZKRP LW ZDV DNLQ WR oJRLQJ EDFN KRPHp      /@SHDMBD 2SNMD (2012) depicts the burden worn by the wife of
                                                              an older man incapacitated by a bullet in his neck, using this
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               NOONQSTMHSX SN KD@QM @ANTS QTQ@K O@QSR NE  EFG@MHRS@M   EFG@M   after reports of encroaching gunmen – a potent reminder of
               RNBHDSX @MC LDMS@KHSX  BTKSTQD  K@MFT@FD       the nation’s troubles, which is effective because audiences
                                                              have already witnessed the life they’re being forced to abandon.
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               WUHPHO\ FORVH XS VKRW RI $IJKDQLVWDQp  D VWDWHPHQW WKDW FDQ  Afghan actors who convey their characters’ plights as though
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               demarcations, chatter, expectations and traditions that she  portrait made by someone who has been through or witnessed
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               shop that had activities in countries with poor cinema indus   the Cannes Film Festival’s Cinéfondation residency – have as
               tries, spreading the cinema vérité style.’ Through this, she  sisted her in crafting a personal yet universal representation of
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                                                              depicts are framed as just that, but, to viewers fed a diet of
               ( OQDEDQQDC kBSHNM BHMDL@ LNQD SG@M CNBTLDMS@QX  RN ( CDBHCDC  media that paint Afghanistan differently, they’re extraordinary.
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                 There’s certainly a need for movies about Afghanistan that
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               gion’s struggles, as evidenced in 6GHRJDX 3@MFN %NWSQNS  *OHQQ  WR HQVXUH WKH VHFXULW\ RI WKH ŷOPpV SURGXFWLRQ WHDP  VHH $OLVVD
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               account of the tumult surrounding a music competition, loosely    ŷOP UHYLHZ            !  DFFHVVHG   }2FWREHU




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