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Review_CHILDREN’S



        by the advances of her peers and older   Sci-Fu                      on Mars, no one could come and fix me.”
        men, she begins a secret relationship with   Yehudi Mercado. Oni, $12.99 trade paper   Motum’s mixed-media illustrations clev-
        her lab partner Aman, who seems inter-  (144p) ISBN 978-1-62010-472-9  erly recall art popular during the infancy
        ested in more than her curves (“who knew   In 1980s Brooklyn, eighth-grader Wax   of space travel—muted colors and spare,
        words,/ when said by the right person,/ by   may be respected for his DJ skills (and,   geometric patterns compose often-dia-
        a boy who raises your temperature,/ moves   with his flattop and track suit, he looks   grammatic illustrations. One close-up
        heat like nothing else?”). Xiomara pours   the part), but his raps leave something to   details the rover’s many parts: “Just like
        her innermost self into poems and dreams   be desired. After Wax’s spinning attracts   you, I have a shoulder, elbow, and wrist.”
        of competing in poetry slams, a passion   extraterrestrial attention, he’s transported   With one of its cameras resembling a large
        she’s certain her conservative Dominican   to the futuristic city of Discopia along   eye, Curiosity appears lifelike, almost E.T.-
        parents will never accept. Debut novelist   with his friend Cooky, his crush Polly, and   esque, in keeping with the first-person
        Acevedo’s free verse gives Xiomara’s   his family. Wax quickly learns the art of   narrative. The book’s large trim size and
        coming-of-age story an undeniable pull,   Sci-Fu, a mixture of music and martial   expansive scenes work in tandem to evoke
        its emotionally charged bluntness   arts, from Kabuki Snowman, just one of   the vastness of star-filled skies and reddish
        reflecting her determination and   many odd creatures they encounter. In a   Martian landscapes. Originally published
        strength. At its heart, this is a complex   series of musical confrontations reminis-  in the U.K., this accessible look at inter-
        and sometimes painful exploration of love   cent of the Scott Pilgrim stories, Wax   planetary exploration will appeal to a
        in its many forms, with Xiomara’s   must fight the Five Deadly Dangers   broad range of young space enthusiasts. A
        growing love for herself reigning   before taking on giant robot Choo Choo.   glossary and timeline of Mars missions is
        supreme. Ages 13–up. Agent: Ammi-Joan   Mercado has created a visually delicious   included. Ages 8–12. (Mar.)
        Paquette, Erin Murphy Literary. (Mar.)  adventure that does its best to imbue a
                                          visual medium with the power of sound.   Claiming My Place:
        Comics                            Mercado uses onomatopoeia and visual-  A True Story of Defiance,
                                                                             Deception and Coming of Age
                                                             ized sound
                                                             waves to        in the Shadow of the Holocaust
        Mega Robot Bros                                      emphasize that   Planaria Price, with Helen Reichmann West.
        Neill Cameron. Scholastic/Fickling, $8.99            this is an aural   Farrar, Straus and Giroux, $17.99 (272p)
        trade paper (96p) ISBN 978-1-338-18595-9             adventure;      ISBN 978-0-374-30529-1
          When not fighting over comics,                     color-coded      Price’s rendering of West’s mother’s
        brothers Alex and Freddy attempt to have             speech balloons   early life reads like suspenseful historical
        an ordinary childhood in a future London.            help readers    fiction, telling a rarely heard side of the
        But, because they are sentient robots, nor-          keep track of   Jewish experience during WWII. Barbara
        mality escapes them: whether they are vis-           who is spitting   Reichmann, born Sura Gitla “Gucia”
        iting the museum or attending a royal                rhymes. His car-  Gomolinska in 1916, described to Rice,
        birthday celebration, they inevitably end            icatured figures   in sensory detail, her prewar Jewish child-
        up fighting evil robots run amok. Their   and dynamic layouts, coupled with a neon   hood in a town in central Poland, followed
        adoptive parents want to keep things   palette and graffiti flourishes, make for an   by the tense war years living in Poland,
        quiet, but secrecy becomes increasingly   entertaining story with a little something   Germany, and Switzerland as a Polish-
        impossible with each incident. Eventually,   for everyone: hip-hop, tech-driven action,   Catholic girl named Basia. Reichman’s
        older brother Alex is drafted into RAID, a   and romance. Ages 9–12. (Mar.)  education, fluency in Polish, and fair hair
        military robot team, in an attempt to cap-                           and coloring allowed her to pass as a non-
        ture Robot 23, who seems obsessed with                               Jew while many of her friends and family
        the brothers. Cameron delivers an ener-  Nonfiction                  suffered through or died during the
        gized and goofy romp featuring siblings                              Holocaust. Writing from an engrossing
        whose relationship is equal parts bick-  ★ Curiosity:                first-person perspective, Price makes
        ering, rivalry, and camaraderie—just like   The Story of a Mars Rover  Gucia/Basia a fully dimensional character,
        that of many human brothers. The action   Markus Motum. Candlewick, $22.99 (56p)   tracing her development from taking her
        is balanced with a good dose of humor, as   ISBN 978-0-7636-9504-0   heritage and faith for granted to becoming
        when Freddy rescues a trio of animal   The Mars rover Curiosity narrates her   a leader in the youth Zionist movement at
        droids only to get stuck dealing with an   own story in Motum’s handsome and   age 13. She left the organization at 18,
        ape that speaks French, a barking tricer-  engaging children’s book debut, from her   realized that she might survive the war by
        atops, and a penguin that only quotes   construction in a clean lab in California to   hiding her identity. Family, friendships,
        Sartre. The vivid colors capture the opti-  her multistage launch into space and   and romance give poignancy to this
        mistic and light mood of the SF adventure,   landing on the red planet: “years of   unique coming-of-age story, which is fur-
        which features a diverse cast and lots of   testing were needed to make sure every-  ther enhanced by maps, photos, a glossary,
        quippy banter. Ages 8–12. (Mar.)  thing would work correctly the first time.   and an afterword. Ages 12–up. (Mar.)   ■
                                          After all, if something were to go wrong

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