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Review_CHILDREN’S



        downpours, slippery mud, or beckoning   the kingdom would be in good hands,”   and gray birds in the world—as is the idea
        mamas; they overcome each obstacle   writes dePaola. But the legendary impe-  of being desperate to change the color of
        together, as a team. Paul moves casually   rial robe has gone missing, and everyone   the skin (or feathers) one is in. Readers
        between English and Creole; definitions   in the kingdom believes this “remarkable   will, however, readily identify with the
        are included, but the meanings are gener-  garment” gives the king magical powers   feeling of being left out. Ages 5–8. (Mar.)
        ally spelled out (“Ou byen? You okay?   to protect them. An evil plot is afoot—
        Mwen byen. I’m good”). The children’s   can it be thwarted? Debut illustrator   Mela and the Elephant
        elongated, exaggerated movements create   Salati, a former Sendak fellow, works with   Dow Phumiruk, illus. by Ziyue Chen. Sleeping
        an almost constant sense of motion in   the assurance of a seasoned pro; his illus-  Bear, $16.99 (32p) ISBN 978-1-58536-998-0
        Alcántara’s vividly colored paintings, and   trations, rendered in delicately textured   Phumiruk (Maya Lin: Artist-Architect of
        their enthusiasm for futbol is infectious.   pencil and earth-toned digital color, com-  Light and Lines) takes readers to the
        Ages 4–8. Author’s agent: Karen Grencik,   bine an old-fashioned sense of setting and   country of her birth in an instructive con-
        Red Fox Literary. Illustrator’s agent: Adriana       character with a   temporary fable about kindness, set in a
        Dominguez, Full Circle Literary. (Mar.)              contemporary    village in Northern Thailand. A girl
                                                             approach to     named Mela sets off to explore the nearby
        ★ Hello Lighthouse                                   casting (the    banks of the Ping River, refusing to bring
        Sophie Blackall. Little, Brown, $18.99 (48p)         kingdom is      along her younger brother. “What will
        ISBN 978-0-316-36238-2                               matter-of-factly   you give me if I take you?” she asks, but
          Painted with the featherlight touch that           multicultural,   he has nothing. The decision comes back
        distinguishes Caldecott Medalist Blackall’s          and the king’s   to bite her after she’s swept away by the
        work, this graceful account of a lighthouse          chief counselor   current and winds up far from home. Mela
        keeper’s life celebrates a lost era. While it        is a woman).    meets a crocodile, leopard, and monkeys,
        was lonely and sometimes dangerous,   With its themes of ingenuity, generosity,   who ask her the same question she asked
        watching the lighthouse was monastic in   and the enduring power of community,   her brother when she requests their assis-
        its simplicity: “He tends the light and   the story is a lovely and pointedly relevant   tance. She offers them her belongings,
        writes in the logbook.” The lighthouse   tribute to those who truly confer legiti-  which they take—and then abandon her.
        keeper readies his home for the arrival of   macy on any leader: the people. Ages 4–8.   Eventually, an elephant arrives to help and
        his wife, who nurses him when he falls ill;   Author’s agent: Doug Whiteman, Whiteman   deliver the book’s central message that
        then he helps her as she gives birth to their   Agency. (Apr.)       “kindness needs no reward.” It’s not a subtle
        first child. Soon the family receives word                           story, but it’s still a potentially useful tool
        that the lighthouse is to be fitted with a   How the Finch Got Its Colors  for conversations about generosity, and
        mechanical light, and their idyll comes to a   Annemarie Riley Guertin, illus. by Helena   Chen’s digital artwork, rendered in an array
        serene end. Many spreads, delicate as   Pérez García. Familius, $16.99 (32p)    of creamy greens, brings the verdant setting
        painted porcelain, depict the lighthouse   ISBN 978-1-945547-77-5    to life. Ages 7–8. Author’s agent: Deborah
        amid the breaking waves and changing life   In an alternative to traditional great   Warren, East-West Literary. Illustrator’s agent:
        of the ocean. Seals bask, whales pass, and   flood narratives, the Earth’s “stark and   Mela Bolinao, MB Artists. (Mar.)
        the aurora borealis flickers overhead.   gray” landscape and animals are trans-
        Repeated images of circles echo the light-  formed by a deitylike rainbow that
        house’s circular rooms, from vignettes   appears after 11 days of rain. The ruler of   Fiction
        framed with nautical rope to a breath-  the bird kingdom, Great Bird, “was tired
        taking sequence of the lighthouse-keeper’s   of his stone-gray colors and wished to be a   Elle of the Ball
        wife walking through her labor, each   beautiful color,” and Rainbow gives him   Elena Delle Donne. Simon & Schuster,
        moment like the hand on the face of a clock.   golden feathers. Other birds follow suit,   $16.99 (160p) ISBN 978-1-5344-1231-6
        It’s a jewel of a creation and a gift to those   and Rainbow’s colors are eventually   Donne—a professional basketball
        who dream of retreat. Ages 4–8. Agent:   exhausted, leaving the Gouldian finch   player, youth coach, and author of the
        Nancy Gallt, Gallt + Zacker Literary. (Apr.)  gray. In a final act, Rainbow gives the   memoir My Shot (which publishes simul-
                                          finch a bit of color from all of the other   taneously)—taps into her knowledge of
        ★ In a Small Kingdom              birds. Spanish illustrator García’s vibrant   the game and her insight into aspiring
        Tomie dePaola, illus. by Doug Salati. Simon &   bird portraits are well suited to the folk-  players in this first book in the Hoops
        Schuster, $17.99 (48p) ISBN 978-1-4814-9800-5  loric tone that first-time author Guertin   series. As basketball season opens, Elle
          It is long ago, in a place “along an   brings to the tale (“With one swift kiss   Deluca has skyrocketed to a height of six
        ancient road.” The beloved old king has   from Rainbow, Parrot shimmered like an   feet and outgrown her clothes; she now
        died, and the young prince is chosen to   emerald”), but the underlying story isn’t   towers over the seventh-grade boys,
        assume the throne. Though the prince is   entirely satisfying. Giving “the colors of   including her ballroom dancing partner
        young and shy—and not much older than   dirt, clay, and stone” a negative associa-  for the upcoming cotillion. Rather than
        some in this book’s target audience—he is   tion is somewhat off-putting—particu-  boosting her confidence as a basketball
        thoughtful and gentle. “All agreed that   larly with so many striking black, brown,   player, Elle’s growth causes high anxiety:

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