Page 88 - Publishers_Weekly
P. 88

Review_AUDIO



        carries listeners convincingly and sympa-  more like a traditional author-read audio-  tasy novels, originally published in 2007,
        thetically through each family member’s   book production. The anecdotes from her   makes excellent use of cinematic music
        struggle to come to terms with George’s   marriage to actor Chris Pratt (which ended   and digital sound effects. Multiple actors
        culpability. A Ballantine hardcover. (Sept.)  just before the book’s publication) shift   voice the central characters, who are oddly
                                          confusingly between past and present   named after famous prisons: there’s the
                                          tense in the audiobook. But this ties into a   13-year old protagonist Alcatraz Smedry,
        Nonfiction                        recurring theme of Faris’s narrative: that   his grandfather Leavenworth, best friends
                                          complete closure in matters of the heart   Sing and Quentin, and Bastille, a strong,
        ★ Nomadland: Surviving America    doesn’t really exist. The audiobook will   clever, angry, and thoroughly obnoxious
        in the Twenty-First Century       likely be of greatest interest to fans of   girl who tags along. They are fighting the
        Jessica Bruder, read by Karen White.   Faris’s podcast, rather than finding a   “evil librarians” who are attempting to
        HighBridge Audio, unabridged, 8 CDs, 10 hrs.,   broader audience. A Dutton hardcover.   take over the world. Alcatraz, struggling
        $34.99 ISBN 978-1-6816-8718-6     (Oct.)                             with his irresolution and lack of confi-
          Actor White engages listeners in                                   dence, has, like the other members of his
        Bruder’s sociological study of a group of   Leonardo Da Vinci        family, an unusual talent: in his case, the
        low-income, mostly white elderly   Walter Isaacson, read by Alfred Molina. S&S   ability to destroy whatever he touches.
        Americans who travel from job to job in   Audio, unabridged, 14 CDs, 17 hrs., $49.99   This is evoked with lots of loud and sug-
        RVs to avoid the cost of a permanent   ISBN 978-1-5082-4198-0        gestive sound effects during the big battle
        home. These are men and women in their   Screen, television, and stage actor   scenes. The production includes 17 actors,
        60s, 70s, and even 80s who consider   Molina (Raiders of the Lost Ark, Not Without   most of whom seem to have very minor
        themselves not homeless but houseless,   My Daughter), elegantly narrates   roles, but their variety and a remarkably
        having lost their homes or opted to ditch   Isaacson’s sweeping biography of   good musical score contribute to the jolly
        their mortgages, taxes, and repair bills.   Leonardo da Vinci. Molina effortlessly   mood of violent mayhem. Ages 9–up. A
        Listeners will feel as if they are right there   navigates Italian place names and sur-  Scholastic hardcover. (Dec.)
        in Bruder’s passenger seat, traveling with   names, and there is a sharp intelligence
        her to RV campsites, researching, and   throughout his performance, as he joins   Elizabeth and Zenobia
        sharing grief and friendship with the   Isaacson in peeling back the layers of a   Jessica Miller, read by Shiromi Arserio. Tantor
        “workampers.” Among the people pro-  man whose surviving notebooks are   Audio, unabridged, 4 CDs, 4.5 hrs., $34.99
        filed is 64-year-old Linda May, who lives   crammed with fantastic designs but only   ISBN 978-1-5414-1196-8
        in a tiny trailer she calls the Squeeze   contain tantalizing hints of a personal life.   Actor Arserio’s crisp narration of Miller’s
        Inn—“yeah, there’s room, squeeze in”—  Isaacson manages to piece together chron-  middle grade novel captures the moody
        and works as a “host” in trailer camps reg-  ologically the artist’s life from his appren-  atmosphere of its gothic setting and the
        istering newcomers, repairing RVs, and   ticeship at age 14 in Florence under   endearing nature of the friendship
        cleaning toilets all day. She then heads to   Andrea del Verrochio to his death in   between its two protagonists. Mixing
        Amazon warehouses for long, exhausting   France in 1519, focusing primarily on his   elements of ghost story and coming-of-
        night shifts sorting packages. White’s   evolution as an artist. Isaacson reads the   age tale, the story follows a young, timid
        friendly voice and easygoing conversa-  foreword and the conclusion, in which he   girl named Elizabeth, who, after being
        tional rhythm embeds listeners in the   ruminates on the legacy of an artist whose   abandoned by her mother, moves with
        misery but also the camaraderie of these   trail of unfinished projects vastly out-  her distracted scientist father into his
        under-the-radar 21st-century nomads. A   numbers his completed works. The only   childhood home, an empty mansion called
        Norton hardcover. (Oct.)          hiccup in this excellent audio production   Witheringe House. Lonely and unable to
                                          is that the nearly 150 illustrations men-  attract her dad’s attention, Elizabeth
        Unqualified                       tioned throughout are available in PDF   finds companionship in Zenobia, a snarky
        Anna Faris, read by the author. Penguin Audio,   form but are not easily accessible for those   friend who no one else can see. As Elizabeth
        unabridged, 6 CDs, 6.5 hrs., $40 ISBN 978-1-  listening on the go. Still, it’s a great per-  and Zenobia roam the mansion, they
        5247-7880-4                       formance by Molina and a pleasure to   detect ghosts and spirits that Elizabeth’s
          Faris—actress, producer, and host of   listen to. A Simon & Schuster hardcover.   father and the stoic housekeeper dismiss
        the Anna Faris Is Unqualified podcast—  (Oct.)                       as figments of Elizabeth’s imagination.
        narrates this lighthearted mix of autobi-                            Arserio reads the tale in low and myste-
        ography and ruminations on love and rela-                            rious tones that add intrigue and sus-
        tionships. As narrator, Farris projects the   Children’s/YA          pense. The book balances gruesome,
        down-to-earth persona that fans of her                               spooky elements with the friendly banter
        character on the sitcom Mom would   Alcatraz vs. the Evil Librarians  between Elizabeth and Zenobia; Arserio’s
        expect, with whimsy mixed with grit.   Brandon Sanderson, read by a full cast.   narration provides the right proportions
        The podcast elements take on a conversa-  GraphicAudio, adapted, 5 CDs, 6 hrs., $19.99   of tension and humor. Ages 9–13. An
        tional tone, with audience shout-outs and   ISBN 978-1-62851-444-5   Amulet hardcover. (Sept.)
        asides, while the memoir portions seem   This first of a series of young adult fan-

     80  PUBLISHERS WEEKLY  ■  JANU AR Y 22,  2018
   83   84   85   86   87   88   89   90   91   92   93