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Review_CHILDREN’S



        Children’s/YA                                                        lovely bedtime sendoff for animal-loving
                                                                             children that will leave them with ample
                                                                             imaginative fodder for their own dreams.
                                                                             Ages 3–6. Author’s agent: Elizabeth Harding,
        Picture Books                                                        Curtis Brown. Illustrator’s agency: Wernick &
                                                                             Pratt. (Mar.)
        This Is the Nest That Robin Built
        Denise Fleming. Beach Lane, $17.99 (32p)                             The Piano
        ISBN 978-1-4814-3083-8                                               Juha Virta, illus. by Marika Maijala. Gibbs
          Like a fresh spring breeze, Fleming’s                              Smith, $16.99 (32p) ISBN 978-1-4236-4926-7
        cumulative tale celebrates a favorite                                 Originally published in Finland, this
        symbol of the season, a robin’s nest.   Paul and Alcántara make their children’s book   cheerful domestic adventure introduces an
                                          debut with a celebration of the game of soccer, set
        Beginning with a squirrel “who trimmed                               overalls-wearing girl named Filippa who
                                          on a Caribbean island (reviewed on this page).
        the twigs, not too big,/ that anchor the                             lives in a hip town populated by anthro-
        nest that Robin built,” Fleming (5 Little                            pomorphic animals. After a piano myste-
        Ducks) introduces several animals that   netically cartooned vignettes and larger   riously appears in front of Filippa’s house
        provide the materials the bird needs to   scenes. Soon, food isn’t enough: “Jacket!   (in the opening scene, readers watch it sail
        craft the resting spot for her “eggs, brittle   Kilt! Lunch Box!” (Hilariously, the crea-  out the back of a van), she is eager to play
        and blue.” The verse is saturated with   ture dumps the food out of the lunch box   it. But her friend André, a donkey, grabs
        alliteration and internal rhymes (“This is   before devouring it.) Queasiness follows   it to use as extra seating at his café (a
        the mouse/ who gathered the weeds, dotted   (just in time for Q), and parental consola-  mobile coffee cart, really), and her pal
        with seeds,/ that bind the mud, soft not   tion is required: V is for “vomit,” a much   Snoozy the cat takes a nap inside of it. An
        soupy,/ that plasters the straw, rough and   tidier affair than all of the eating that pre-  annoyed Filippa storms off to play her
        tough...”), and the collage illustrations   cedes it. There are a lot of laughs in this   harmonica, which attracts the attention
        gain bold, mottled textures from the   feeding frenzy, but just as much tenderness   of a certain pianist whose instrument has
        varied printmaking techniques Fleming   in the final scenes, which poignantly   gone missing. Virta creates an appealing
        used to treat the paper before assembling   reflect the ABCs of TLC. Ages 3–5. Agent:   setting for future books, a friendly town
        them. When the nestlings, “tufted and   Marcia Wernick, Wernick & Pratt. (Mar.)  where humans and animals alike sip coffee
        pink,” finally arrive, a foldout spread                              and play jazz music together. But it’s
        reveals all of the work that went into the   Dreaming of You         Maijala’s bold and splashy illustrations
        nest; small vignettes show Robin com-  Amy Ludwig VanDerwater, illus. by Aaron   that captivate. Colored in bright shades
        bining twigs, string, straw, mud, and   DeWitt. Boyds Mills, $17.95 (32p) ISBN 978-1-  of yellow, peach, sea green, and sky blue,
        more to put it together. Fleming’s nature   62979-212-5              her scenes brim with energy and quirky
        scenes pulse with electric shades of green,   “When they sleep what do animals see?”   details: Filippa is building homemade
        highlighting the hive of activity that pre-  That’s the question driving VanDerwater’s   birdhouses when readers first meet her,
        cedes the arrival of a newborn (or three).   lullaby of a picture book, which moves   and the pianist’s bench is a can of pickled
        Ages 2–8. (Mar.)                  from animal to animal, describing dreams   cucumbers. Ages 3–8. (Mar.)
                                          that just so happen to involve readers who
        ★ A Busy Creature’s Day Eating:   may be settling down for the night them-  The Field
        An Alphabetical Smorgasbord       selves. Well-crafted, undulating rhymes   Baptiste Paul, illus. by Jacqueline Alcántara.
        Mo Willems. Hyperion, $17.99 (32p) ISBN 978-  cover 10 animals in total, and although the   NorthSouth, $17.95 (32p) ISBN 978-0-7358-
        1-368-01352-9                     animals’ dreams often involve exploration   4312-7
          G is for gluttony (ok, “gravy,” techni-  and play, the mood always remains restful:   A boisterous and unfettered love of
        cally) in Willems’s madcap abecedary,   “Turtles are dreaming of cool, muddy   futbol is at the heart of this energetic
        built around a youngster who devours   beds./ Turtles are dreaming of learning to   picture book from debut talents Paul
        everything in sight, then suffers the conse-  run./ Turtles are dreaming of basking with   and Alcántara, set on an unspecified
        quences. Purple, wide-eyed, and resem-  you/ on a rock in a river in hot summer   Caribbean island. Alcantara’s kinetic
        bling a cross between a monkey, dog, and   sun.” Working in mixed media, DeWitt   illustrations reflect the joy and camara-
        Muppet, the young creature explodes out   combines watery portraits of chipmunks,   derie that the game brings to the young
        of bed and into an alphabetical meal of   frogs, fish, and fireflies with crisply col-  players: two twins walk in lock-step to
        “Apples! Berries! Cereal!” It isn’t pretty:   laged backdrops and charcoal-like flour-  set up a goal made from bamboo shoots,
        Granny Smiths and strawberries go flying,   ishes of added detail. VanDerwater’s   the children are forced to clear the field
        and the creature dives face-first into its   repeated second-person references are all   of cows before the game can begin, and
        cereal bowl. The text is limited to what-  but certain to have readers imagining   players slip and slide dramatically as a
        ever the creature is eating at the moment   themselves in the animals’ frolics (“Horses   storm sets in. Paul’s punchy, declarative
        (and the accompanying alphabet letter),   are dreaming of you telling secrets/ into   text clearly communicates that the players
        and Willems captures each moment in fre-  long ears as you nuzzle their faces”). It’s a   won’t be hindered by stubborn livestock,

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