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CRITIC                                      Bloomberg Pursuits                            January 29, 2018



         As You Like It




         Prestige television meets the Sleep No More format

         in HBO’s Mosaic. By Steve Rousseau



         If you know how this one ends, turn
         the page. In 1969, on his commute
         home, Edward Packard, a lawyer for
         RCA Records, penned a story with
         an inventive twist: The reader would
         decide the plot turns. A decade later,
         Bantam Books picked up the concept
         in earnest, and the choose-your-own-
         adventure craze began.
            Since then the concept of an inter-
         active narrative has had as many
         branching paths and dead ends as its
         namesake (and copyrighted) format.
         Video games have evolved to feel
         like participatory movies, and 2016
         brought us Late Shift, the “world’s
    74   first interactive cinematic movie.”
         Since 2011 the theater production  this character, or switch to a new one  either come to love or loathe. That
         SleepNoMore has lured audiences for  and gain another perspective. As you  basic-ness is likely a product of the
         repeat viewings by offering viewers  go, you’ll unlock supplemental “dis-  setup—to achieve the complexity of
         the chance to see new aspects of the  covery” information in the form of  the app’s nonlinear storytelling, the
         story each time.                  documents, web pages, and voice    story itself had to remain straightfor-
            Mosaic, a miniseries from director  mails, as well as other storylines you  ward. (Similarly, Netflix Inc.’s attempt
         Steven Soderbergh, is the latest, a rare  may want to go back and explore. On  at interactive plotting started with a
         attempt in Hollywood to relinquish  the surface, it feels as if you should  simple kid’s cartoon, Puss in Book.) In
         control to the audience. It began as a  be able to hop around endlessly from  style, Mosaic falls somewhere between
         free app in November and premiered  person to person, but given that each  Soderbergh’s gleaming Ocean’s Eleven
         on HBO on Jan. 22.                node can be 15, 25, or even 60 min-  and the more auteur-ish Full Frontal
            The app explores the small-town  utes long, unraveling the mystery  or The Girlfriend Experience. It’s only
         murder of children’s book author  of Olivia Lake can feel plodding—a  in the app that Mosaic becomes unlike
         Olivia Lake (the slinkily excellent  deconstructed season of television.  anything you’ve come to expect from
         Sharon Stone), a woman surrounded  Scenes can repeat two or three times;  prestige TV.
         by questionable love interests and  completionists, beware.            In the story, Olivia Lake’s magnum
         friends. The narrative is built around  Yet something magical happens   opus is a book which, read one way,
         15 “nodes” split among the points  about two-thirds of the way in: Mosaic   features a ferocious bear out to get a
         of view of key characters—a con art-  offers the potential that you’ll come to   hunter. Read another way, it’s about a
         ist (Frederick Weller), a handsome  the end in a way that is unique to you.   fearsome hunter out to get a defense-
         lover (Garrett Hedlund), a slimy best  The emotional ups and downs feel like   less bear. Lake was so infatuated by
         friend (a gleeful Paul Reubens in his  your own creation. It’s easy to forget   the concept that she constructed a
         element), and a local detective (Devin  Soderbergh is stringing you along.  “story trail” on her property. When
         Ratray) seemingly in over his head.  When viewed on HBO in its six,   two characters, Joel (Hedlund) and
         The Rashomon-like tale tugs on themes  Soderbergh-edited episodes, it’s   Petra (Jennifer Ferrin), visit the trail
         familiar to the whodunnit setup: There  clear that Mosaic’s innovations don’t   for clues, Petra asks which way they  ILLUSTRATION BY SARAH MAZZETTI
         are no truths, only perspectives.  quite subvert the suspense genre.   should take. “Well, it’s a circle,” admits
            Watch one node, and you’re given a  Without choices, it’s another passive,   Joel, who lives on the property. “They
         choice: Continue down the path with  of-the-moment crime drama you’ll   both end up at the same place.”
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