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We are                                                                                        beBook







        dandies











        BY MARCO INFELISE

















                                                                                          EDITORS: GESTALTEN
                                                                                          RELEASE
                                                                                          DATE: NOVEMBER 2016
                                                                                          CREDITS: PHOTOGRAPHS
                                                                                          BY ROSE CALLAHAN,
                                                                                          TEXTS BY NATHANIEL
                                                                                          ADAMS
                                                                                          FORMAT: 22.5 × 29 CM
                                                                                          FEATURES: FULL COLOR,
                                                                                          HARDCOVER, 304 PAGES
                                                                                          LANGUAGE: ENGLISH






        A dandy is term historically used to describe a   tremes that novelist George Meredith, himself no
        man who places particular importance upon phy-  dandy, once defined cynicism as “intellectual dan-
        sical appearance, refined language, and leisurely   dyism.” Some took a more benign view; Thomas
        hobbies, pursued with the appearance of noncha-  Carlyle wrote in Sartor Resartus that a dandy was
        lance in a cult of self. A dandy could be a self-ma-  no more than “a clothes-wearing man”. Honoré de
        de who strove to imitate an aristocratic lifestyle   Balzac introduced the perfectly worldly and un-
        despite coming from a middle-class background,   moved Henri de Marsay in La fille aux yeux d’or
        especially in late 18th- and early 19th-century Bri-  (1835), a part of La Comédie Humaine, who ful-
        tain. Previous manifestations of the petit-maître   fils at first the model of a perfect dandy, until an
        (French for small master) and the Muscadin have   obsessive love-pursuit unravels him in passionate
        been noted by John C. Prevost, but the modern   and murderous jealousy. Charles Baudelaire defi-
        practice of dandyism first appeared in the revo-  ned the dandy, in the later “metaphysical” phase
        lutionary 1790s, both in London and in Paris. The   of dandyism, as one who elevates æsthetics to a
        dandy cultivated cynical reserve, yet to such ex-  living religion, ]that the dandy’s mere existence





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