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CSC TEST SONY ALPHA 7R III



         One shot from a multi-frame sequence, at 10fps. The A7R III
         lets you capture the ideal moment in a fast-changing scene
                                                                                      COLOUR ERROR




                                                                                      Sony Alpha 7 III   4.3

                                                                                     Canon EOS-1D X II  2.9
                                                                                       Nikon D850        7.1

                                                                                     Sony Alpha A99 II  1.1
                                                                                     SCORES CLOSER   ěĂ  0  Ă  10  ŎĂ  20
                                                                                     TO ZERO ARE
                                                                                     BETTER
                                                                                     We pitted the A7R III against three top professional
                                                                                     rivals – the Canon EOS-1D X II, Nikon D850 and Sony’s
                                                                                     own A99 II. In our colour error test, the A7R III came
                                                                                     PVU JO UIFçNJEEMF PG UIF QBDL XJUI B HPPE SFTVMU



          We don’t normally cover video in    or stabilised rig to iron out slower    3"8 4*(/"- 50 /0*4& 3"5*0
        depth, but we did try out the Sony’s   movements and ‘drift’.
        ĉƻƤ8ƚĬĬ B% ŸĬŅƵěĵŅƋĜŅĹ Ï±Ş±ÆĜĬĜƋĜåŸ      The A7R III’s sensor is very close
        and its five-axis in-body stabilisation.   ƋŅƤƋĘå üųŅĹƋ Ņü ƋĘå ÆŅÚƼØ ƋĘŅƚčĘØ ±ĹÚ   ĂLj
        ‰Ęå ŸĬŅƵ ĵŅƋĜŅĹ ĬŅŅĩåÚ čųå±ƋØ ÆƚƋ     has no mirror to protect it, so it’s a bit   40
        while the stabilisation smoothed      of a dirt magnet. It’s easy enough to
        ŅƚƋ ŸĘ±ĩåØ ƼŅƚűĬĬ ŸƋĜĬĬ ĹååÚ ± ƋųĜŞŅÚ   clone out sensor spots in stills, but   30
                                              Ĭ域Ƥ屟Ƽ ĜĹ ƴĜÚåŅŸţ
        8*5) " #*( 130 -&/4 '*55&%               kƴåų±ĬĬØ ƋĘå eĬŞĘ± ƀ FFFűŸ           DECIBELS  20
                                              performance is deeply impressive. It
        5)& " 3 *** %0&4/ 5 0''&3             offers superb resolution and overall      10
                                              image quality, with 10fps shooting plus      HIGHER SCORES ARE BETTER.
                                                                                           3"8 3&46-54 64& *."(&4 $0/7&35&% 50 5*''
        THE SIZE ADVANTAGE OVER A             ĉU ƴĜÚåŅ ±ĹÚ üƚĬĬ B% ±Ƌ ŎƖLjüŞŸţ ‰ĘĜŸ      0  100    400    1,600  6,400  ƖĂØƅLjLj
        %4-3 5)"5 5)& #0%: 0/-:               is a seriously powerful and versatile
                                              professional camera.                   The noise results mirrored the resolution of these
        DIMENSIONS MIGHT SUGGEST              Rod Lawton                             four cameras. With the fewest pixels, the Canon
                                                                                     produced least noise, while the 46MP Nikon was
                                                                                     marginally the noisiest.
               VERDICT

                                                                                      RAW DYNAMIC RANGE

            The A7R III is so powerful and    SENSOR 42.4MP FULL-FRAME EXMOR R
            ƴåųŸ±ƋĜĬå ƋʱƋ ĜƋƤŸååĵŸ ÏĘƚųĬĜŸĘ   CMOS, 35.9 X 24.0MM IMAGE PROCESSOR      14
                                              BIONZ X "' 10*/54 399-POINT PHASE
            ƋŅ ÏųĜƋĜÏĜŸå ĜƋ ±Ƌ ±ĬĬƤô ÆƚƋ ƵåƤ±ųå   DETECTION, 425-POINT CONTRAST
             čŅĜĹč ƋŅ ĩĹŅÏĩ Ņüü ʱĬü ± ŸƋ±ų                                             12
            for its troubling body-lens size   DETECTION ISO RANGE 100-32,000,          10
             ĵĜŸĵ±ƋÏĘØ ±ĹÚ ĂƐLjxƅĂLjěŸĘŅƋ       EXPANDABLE TO 50-102,400 MAX IMAGE
             battery life, which is good for   SIZE 7,952 X 5,304 METERING ZONES 1,200   EXPOSURE VALUE
           mirrorless but poor next to a pro   VIDEO 4K UHD AT 30, 24FPS 7*&8'*/%&3     í
                                              26"% 7(" 0-&%      ç.*--*0/ %054
           %„Xţ ‰Ęå eƀ FFFűŸ ŸŞååÚ ĵ±ĩåŸ                                              6
           it supremely versatile, but it also   MEMORY CARD 2 X SD/SDHC/SDXC, INC         HIGHER SCORES ARE BETTER.
                                                                                           RAW 3&46-54 64& *."(&4 $0/7&35&% 50 5*''
            puts it up against tough rivals.  1 X UHS II LCD 3-INCH TOUCHSCREEN,
                                              1,440K DOTS MAX BURST 10FPS (76             100     400    1,600  6,400  ƖĂØƅLjLj
                                              COMPRESSED RAW) CONNECTIVITY WI-FI,
                                              NFC, BLUETOOTH SIZE 127 X 96 X 74MM    The Canon showed a small advantage here, with
                                                                                     the Nikon D850 in second place. The A7R III’s
                                              WEIGHT 675G (BODY ONLY, WITH BATTERY   dynamic range performance proved good in our
                                              AND MEMORY CARD)                       lab tests, but not quite the best.
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