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[...An experience is a product, one might almost say bi-product, of continuous
and cumulative interaction of an organic self with the world. There is no other
foundation upon which esthetic theory and criticism can build.]
[51] Having an experience in Art as Experience. N.d. Web. 4 Nov. 2015.
<https://en.wikipedia.org/wiki/Art_as_Experience>
[Experience occurs continually, as we are always involved in the process of
living, but it is often interrupted and inchoate, with conflict and resistance.
Much of the time we are not concerned with the connection of events but
instead there is a loose succession, and this is non-aesthetic. Experience,
however, is not an experience. … An experience occurs when a work is
finished in a satisfactory way, a problem solved, a game is played through, a
conversation is rounded out, and fulfillment and consummation conclude the
experience. In an experience, every successive part flows freely. … An
experience is individual and singular; each has its own beginning and end, its
own plot, and its own singular quality that pervades the entire experience. The
final import is intellectual, but the occurrence is emotional as well. Aesthetic
experience cannot be sharply marked off from other experiences, but in an
aesthetic experience, structure may be immediately felt and recognized, there
is completeness and unity and necessarily emotion. Emotion is the moving and
cementing force.]
[52] อ้างแล้ว. [There is no one word to combine "artistic" and "aesthetic," unfortunately,
but "artistic" refers to the production, the doing and making, and "aesthetic" to
appreciating, perceiving, and enjoying. For a work to be art, it must also be
aesthetic. The work of the artist is to build an experience that will be
experienced aesthetically.]
[53] Shabi, K. Meaning of the Scream (1893) Painting by Edvard Munch: Art Analysis.
N.d. Web. 4 Nov. 2015.
<http://legomenon.com/meaning-of-the-scream-1 8 9 3 -painting-by-edvard-
munch.html>
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