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Analyse your own creative products (or singular product) and processes in relation to
               models/theories of creativity and writing.  Your analysis should include references to at

               least two other writers who have influenced you.












                              'The three men  I admire most are Curly,  Larry,  Mo ! '

                                                                  (Steinman,  1993)






                       Influences and  inspirations can come from many different directions when we are
               writing.  They are most commonly found  in our favourite writers but can come from many

               other sources including music, film, TV, the written  media and our own worldly

               observations.  The quote used above does not  mean that featured  influences are Curly,

                Larry and  Moe  but that the writer of that line  is.  The author is Jim Steinman, a songwriter

               who writes his rock music so passionately that it should  be poetry.  Music has a greater
                influence than many realise so this will be explored  in a  little more depth.  This is not to

               discount the importance of other literary figures in shaping our creations.  There is possibly

                no greater model for the aspiring horror writer than Stephen King.  His success has come
               from hard work at perfecting his craft.  Both of these  men served as influences when writing

               'Rock-a-bye' amongst other works.

                Many accepted theories and  conventions of creative writing were accounted for during the

               creation of 'Rock-a-bye'  but the writing was flavoured  by the two aforementioned  men who
                I was reading and  listening to at the time.  What makes a  person write what they write and

                how they write?  We hope to offer some answers to these questions by touching upon

                issues of duplicity,  motivation, crossing barriers and  reasoning.

                No writer sets out to show the world that they are or are not who their work purports them
               to be.  We have slippery doubles,




                                     '... so it would follow as the day the  night that

                                      I  must have a slippery double -  or at least a  mildly
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