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Was fame and  riches truly at the core of that story even though there may be  little or no
                money to be made in short story writing?




                                     'For me,  reading and writing horror is about
                                     eating my own shadow so it won't eat me.'

                                                                  (Shannon,  p15, 2007)




                Perhaps the true motivation  is to turn ones fears into fiction  before they have chance to

                materialise.  Motivations, and the desire to prove such cynics wrong, are often perceived as
                profound and vital, as voiced  by the students asking Stephen King repeatedly about why he

               writes and where he get his ideas (StephenKing.com).  It is assumed that a writer of horror

                must have deeply personal  reasons for writing this and  no gentler type of fiction.  This is not
               always the case as the reasons can be as seemingly superficial, but just as important as,

                keeping the car running or to buy a  new pair of boots.  People are always going to pay for

               good  music or a good story,  but no reader needs to know or suspect that their books and

               CDs are more money-makers than works of love.

                              The aim of many a writer, and especially in the horror genre,  is to push the
                limits a  little further each time.  Yet no-one has ever specified what these  limits are -  maybe

               that is to their credit.  Writing something totally new and original can no longer be used as

               we come to understand that every story has been told  in some way, though new twists and
               spins always come out.  This truth  never stops people dreaming though, it often only

               encourages them to 'write the greatest car crash song ever written' jimsteinman.com).the

               work that sprang from this pushed  boundaries, not only in what was acceptable for the

                music industry,  but also in writing circles.  Sex, violence and  a seedy underworld of
               forbidden passions were almost drilled  into peoples' brains in  1977 and  has since become

                more socially acceptable.  The contents of any work are barriers as we debate whether it

               will escape censorship and seep into public consciousness.  These kinds of barriers are there

               for the breaking and  will,  no doubt, be broken over and over again.  But it is not only the
               words that end  up on the page that form the boundaries to be pushed -  any writer will  have

                his is her own  personal obstacles to overcome.  Indeed  it can  be argued that a writer is not a

               true writer if they have not experienced some difficulty in their creative process.  Stephen

                King was surviving a serious drug addiction at shat was debatably the  peak of his career.  Jim
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