Page 144 - Student: dazed And Confused
P. 144

A passable knowledge of our language negates the need for too much debate over sentence
               structure but also allows the  necessary freedom to disregard all  punctuation in the dream

               sequences in  Rock-a-bye.  Perhaps not knowing it or being ignorant of certain writing

               theories and  practices is more ultimately powerful than  knowing everything.  For how can
               we let out imaginations run and  play if we are tethered to rules and  regulations?







               TUTOR NOTES -         There's an important ingredient missing here, Wendy.  You  refer to
                Rock-a-bye which  I assume is a  horror story (naturally),  but don't include a copy of it as an
               appendix.  You also fail todicuss your process in writing it (I didn't have enough words) or to
               analyse the content of the writing.
               You do however,  use two interesting role models to refer to and you take  many useful
               observations about the problems and  challenges that present themselves to any writer.
                However, if you are going to take issue with canonical writers like Woolf and Austen (no

                issue, just not  my thing), you need to present a coherent argument to support your points.
               What's needed  here is some more organisation and grouping of the points you want to
                make.  You  make a  number of different statements but don't really link them into a
               coherent argument.  I wasn't clear on what sort of writer you see yourself as being? (I'm still
               figuring that out ! )  are you an architect?  You don't say you are or give evidence to show  it,
                but neither do you  present yourself as any of the other categories.  Even if you feel that
               Sharples' divisions are irrelevant, you need to pursue the  point fully in a discussion  of the
               different types of writer and  how these might or might not apply to your own  practive or
               thoseof others.
               When writing critical essays,  it's a good  idea to work out what argument you want to make,
               then  plan how you will  present it and what evidence you will use to support it.  Think of it as

               a  lawyer presenting a case to a jury.  She will gradually unfurl  her argument attesting to the
               guilt or innocence of the accused.  She will support the arguments with witness testimony.
                Finally, she will sum up her case for judge aqnd jury.
                Finally,  please don't use we (but I  need one) in an essay.  The occasional  use of i is fine.


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