Page 49 - FOCUS year 1
P. 49

  Waking up our body
               We walk freely around  the  room, constantly changing direction  and pace. We  do not
               talk, and look at each other in the eye as we meet. With the first tambour hit, we stop,
               with the next one, we continue our move. We walk by trying to cover the empty spaces
               in the room. We strive, as far as possible, to maintain equal distances from our fellow
               players. We get a sense of space and others around us. Rhythm becomes more intense,
               pauses  are dynamic.  During the  pauses  the  motion  works  within  our body, giving  us
               energy to continue. We discover the echo of motion, the energy that dissipates before it
               collapses. We feel the contact with the ground, and each step starts with exhalation. Our
               movement is gentle, the balance of the body is strengthened. We have already activated
               our "theatrical" body.
               Holding  the  text  in  our  hands,  we  start  moving  into  the  room,  whispering  it.  We
               continue to whisper it even when Sean Connerry's recollection begins accompanied by
               the music composed by Vangelis Papathanassiou. The volume of our voice can increase
               or decrease each time, according to the instructor’s guidance. Through this process we
               assimilate the text in order to be able to naturally and easily combine movement and
               voice.

                     Working in groups and presenting our work.
               Each of the 3 teams is given a worksheet and is called to answer the questions and make
               a small presentation within 15 minutes.     Throughout these presentations, each group
               will  explain  their  work,  in  order  to  familiarize  every  student  with  the  context  of  the
               poem.

                                                     WORKSHEETS
               Α. The musicians
               Verses 1-13

               1) Which grammatical person does the poet use?  Justify his choice.
               2)  What  may  the  poet  mean  by  referring  to  mythical  creatures?    (Laistrygonians,
               Cyclops, Poseidon)
               3) Choose an appropriate instrumental music theme for the verses 1-13 and note which
               words or phrases inspired you.

               B. The painters
               Verses 14-24

               1) Which grammatical person does the poet use?  Justify his choice.
               2) What does the poet imply by the phrases “harbors seen for the first time” and “fine
               things... every kind”?
               3) Draw or paint an image to express the emotions recalled to you by the verses 14-24.
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