Page 16 - World Airshow News Autumn 2024
P. 16

...ROb HOLLAND.



             Right: As intense as are the airshow sequences Rob flies, he says competition
                 aerobatics can actually be more punishing (photo by Jim Froneberger).
          for competition flying. The one thing that airshow flying does
          help in competition is with situational awareness and knowing
          where you are in the aerobatic box at all times.”

          buILDING A pERFORmANCE
            For Rob, an airshow is a performance. It’s practiced and
          honed to perfection and flown the same way every time. As
          insane and complex as many of his show maneuvers may
          seem, to Rob, they are routine.
            “They are so practiced that I don’t even have to think about
          them. I want my concentration to be on where the ground is,
          where the crowd is, where is the wind coming from, and where
          are the obstacles. Learning a figure can be difficult, but I won’t
          put a figure into an airshow until flying it is like walking and I   competition, just being exciting and safe aren’t sufficient. You need
          don’t have to think about it.”                       an experienced aerobatic pilot outside the cockpit who sees what
            So, how does a maneuver go from concept to execution?   the judges will see with the same critical eye.
          And where do his ideas come from? Rob says it starts with a   “A coach can do a couple things. First, they can actually help
          lot of thinking outside of the box.                  you fly better figures by telling you where to put the stick,” explains
            “I always want to try to do something that hasn’t been done   Rob. “But in the upper levels of competition, we already know how
          before,” he says. “Sometimes I might wake up with an idea for   to fly the figures, so helping with presentation becomes the bigger
          a new maneuver and I will think about it for months. What   concern. In the cockpit, you can’t see the big picture of how a figure
          are the aerodynamics, what are the failure modes, what are the   or sequence is being seen by the judges. A good coach will help you
          inputs to make it work? Eventually, I try it in the airplane, and   figure out how to present a figure or sequence that will best appeal
          usually I will know pretty quickly if it will actually work or not.   to the judges.”
          Then I will take whatever time is required until I don’t have to   For several years now, Rob has relied on Claude “Coco” Bessière,
          think about it anymore. Only then will I put it in a sequence.”  a former World Aerobatic Champion and long-time coach of
             Rob says he always wondered why airplanes tumbled in   the  formidable French  national team.  That second set of eyes
          the negative motion and never in the positive. He spent about   has benefits beyond just success in competition. Indeed, flying
          two-and-a-half years working on a positive tumble before he   in that crucible of competition and under the watchful eye of an
          was able to put it into his airshow.                 experienced coach yields improvements one can really acquire no
            It may be hard to see patience and refinement in a maneuver   other way.
          as manic and unhinged as the inside tumble, but therein lies   “I’m definitely a safer pilot because of competition flying,” says
          Rob’s genius. Rob’s primary goal is to produce a sequence that,   Rob. “Competition is a culture of critique and coaching. You can
          whether for judges or fans, is coherent and compelling.   only really do that with input from people watching. I carry that all
            “My real joy is the entire sequence,” he admits. “It’s solving   over to my airshows.”
          the puzzle of piecing all the elements together into a great   Having  now  amassed  countless  medals  and  accolades  in
          entertaining show for an airshow or into a perfect sequence   international  competition,  Rob  is  now  in  demand  himself  as  a
          for the judges in competition.”                      competition coach, a role he’s played more and more over the last
            Watch Rob fly and this focus on the entire sequence becomes   several years. “When I coach people I try to figure out what their
          apparent. There is a flow to the way Rob flies; a rhythm to the   style is and help them grow and maximize that style,” he explains.
          way each maneuver  is presented that demands continuous   “If they need help with the figure, I will try to help them learn how
          attention. His show is very much composed, much the way   to fly it, but I also put a strong emphasis on presentation.”
          a musician writes a song. And that is not by accident. When   In entertainment circles, performers often joke that it took them
          asked about his sources of inspiration, Rob declines to name   twenty years to become an overnight success. The truth within that
          anyone specifically, but clearly music is a key source.   joke is that an audience sees only what is in front of them, not the
            “I take inspiration from a lot of different people for different   years of preparation that lead to that performance. We as audience
          reasons,” he says. “It’s hard to nail it down to just one or two. I   members should never forget what it takes to perform at the highest
          think there is something to be learned from everybody. Music   possible level.
          and rhythm inspire me. I feel that every sequence needs to   To do what Rob Holland does, week after week, safely and
          have a certain cadence, almost like a beat to music.”  consistently, requires more than just talent – more than just the
                                                               ability to thrill audiences. Rob Holland’s art is a perfection of
          COACHING FOR pERFECtION                              that original barnstormer’s spirit. He captures the excitement of a
            When it comes to crafting his airshow performance, Rob is   flying circus but subtracts the danger. His show is raw and visceral,
          a solo artist. His performances reflect Rob’s unique vision on   yet  as  artfully  constructed  as  a  musical  competition  –  matched
          how an airshow performance should be flown. But when flying   to a rigorous precision forged in the heat of competition at the
          at competitions under the watchful eye of judges looking for   highest possible level. Creativity and innovation don’t usually live
          even the smallest of imperfections, Rob is aided by the help   comfortably in the same mind with patience and consistency, but
          of a coach. For an airshow, if it’s exciting for fans to watch   Rob Holland has managed to merge these parallel tracks into a
          and safe for Rob to fly, Rob’s goals are largely met, but in   singular expression of aerobatic art.


                                          www.airshowmag.com   16  Quarter 4, 2024
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