Page 18 - Martial Science Magazine Dec/2015 #12
P. 18

on  an  all-too-eager  apprentice,  Blaine  (Steven  Dell).
             After  a  vicious  hit  on  a  kung  fu  school  led  by  Blaine,
             Blackstone has reason to be concerned, and in a grip-
             ping shaving scene in a barbershop, Frank’s boss Claxton
             (veteran actor Patrick Kilpatrick) makes his razor-sharp
             point. Ronus, who can’t shake the traumatic memories of
             losing his family, is an occasionally tormented loner, but
             connects with the charming Gabriela (Stephanie Gerard)
             who winds up on the run along with Steele when Blac-
             kstone decides to eliminate them both. Blaine’s girlfriend
             Trinidad (Nina Bergman) emerges as a sexy psychopath
             who is attracted to his hidden occupation. Along the way
             we are treated to martial arts action that includes many
             real-life  masters,  such  as  Eric  Lee  and  Samuel  Kwok,
             from minor roles to memorable ones.


             Many performances deserve highlighting, from Gruner’s
             quiet intensity to Kilpatrick’s convincing coldness, but the
             performances of both Gerard and Bergman give the film
             vitality.  Both  accomplished  musicians  and  performers
             (with a share in the effective soundtrack along with Los
             Lonely Boys), they paint a fascinating contrast, with Ge-
             rard seeming to be an innocent college student in need
             of Steele’s protection, and Bergman the opposite: a sex-
             crazed girlfriend of a killer who can’t wait to have a piece
             of  the  action.  But  appearances  can  be  deceiving,  and
             the closing fight scene between the two reflects the high
             standards of Camacho and his team.

             Art Camacho clearly put his heart and soul into this film,
             taking a relatively small budget and giving it the appea-
             rance  of  ten  times  more.  Camacho’s  story-telling  skill
             (brought to life by screenwriter James Dean Simington)
             is not only evident along with his directorial artistry and
             control,  but  also  one  of  Camacho’s  favorite  themes  is
             shown here in the transformation of an unethical man—
             Steele, an assassin—into a deeper individual who pulls









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