Page 8 - New West Symphony Oct-Nov 2024 Digital Playbill
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PROGRAMNotes






      HUNGARIAN DANCES NO. 1, 3 & 10
      Johannes Brahms (b. Hamburg, 1833; d. Vienna, 1897)
      Composed: 1868
      Instrumentation: piccolo, pairs of woodwinds, four horns, two trumpets, timpani,
      triangle, bass drum, cymbals and strings
      Duration: approximately 7 minutes
      Johannes Brahms was  a German composer and pianist of the  mid-19  century. His
                                                                th
      extraordinary talents as a pianist blossomed alongside a deep passion for
      composition. His style is grounded in the formal structures of Mozart, Haydn,
      Beethoven and J.S. Bach. His composition teacher, Eduard Marxsen, was an
      acquaintance of Beethoven and Schubert.
      Brahms lived during a time of increased awareness and fascination with musical

      influences  throughout  the  European  continent;  his  early  exposure  to  “Roma-style”
      music such as the csardas, by way of his musical partnership with Hungarian violinist
      Ede Reményi, led him to the composition of his most popular compositions, two sets of
      Hungarian Dances.
      Nos. 1, 3 and 10 of his 21 Hungarian Dances are the only dances Brahms orchestrated
      himself. Many of the others have been orchestrated by luminary composers such
      as Dvořák.
      No. 1 is sonorous, soulful, and intermittently fiery; No. 3 alternates between a charming,

      rustic tune in the oboes and a brooding response from the horns; No. 10 swirls with
      accented off-beat rhythms and an overall celebratory mood.
      ©2024 Michael Christie

      AMALGAMATION FOR VIOLIN AND ORCHESTRA
      Derrick Skye (b. 1982, Los Angeles, CA)
      Composed: 2024, commissioned by New West Symphony
      Instrumentation: pairs of woodwinds, three horns, two trumpets, celesta, harp,
      percussion and strings
      Duration: approximately 11 minutes
      Amalgamation is a violin concerto commissioned by the New West Symphony for
      concertmaster Alyssa Park. The work blends Persian, Assyrian, Western classical,
      Jazz and Blues infl uences into a single narrative. It features the Persian classical form
      of Morakab-Navazi, utilizing microtonal tuned intervals, intertwined with Western
      classical music, the spontaneity of Jazz and the soulfulness of Blues.
      The violin soloist represents an individual absorbing multiple heritages, both
      through ancestry and a deep appreciation for different musical traditions. As the
      soloist navigates these varied soundscapes, they mirror the complexity of personal
      growth and transformation in an increasingly interconnected world. Amalgamation
      invites listeners to explore their own unique experiences with cultural identities
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