Page 9 - New West Symphony Oct-Nov 2024 Digital Playbill
P. 9

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       through music while also refl ecting the journey of embracing and participating in a
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       cultural musical identity that transcends one’s own ancestry.
       cultural musical identity that transcends one’s own ancestry.
       World premiere given by violinist Alyssa Park, Music Director Michael Christie and
       World premiere given by violinist Alyssa Park, Music Director Michael Christie and
       the New West Symphony on Saturday, October 5 and Sunday, October 6.
       the New West Symphony on Saturday, October 5 and Sunday, October 6.
       ~Derrick Skye
       ~Derrick Skye
       TZIGANE FOR VIOLIN AND ORCHESTRA (pronounced tsi-gahn)
       T Z IG A N E
       Joseph Maurice Ravel
       Joseph Maurice Ravel (b. Ciboure, 1875; d. Paris, 1937)
       Composed: 1924
       Composed: 1924
       Instrumentation: pairs of woodwinds, two horns, one trumpet, celeste, triangle,
       Instrumentation: pairs of woodwinds, two horns, one trumpet, celeste, triangle,
       timbre, cymbal, harp and strings
       timbre, cymbal, harp and strings
       Duration: approximately 10 minutes
       Duration: approximately 10 minutes
       Regarded as France’s greatest living composer in the early decades of the 20
       Regarded as France’s greatest living composer in the early decades of the 20 th
       century, Maurice Ravel’s style was an amalgamation of elements, including jazz. He
       c e n t u r y , M a u r i c e Ra v e l ’ s s t y l e w a s a n a m a l g a m a t i o n o f e l e m e n t s , i n c l u d i n g j a z z . H e
       was trained at the Paris Conservatory and was a consistent presence among France-
       w a s  t r a i n e d a t t h e P a r i s  C o n s e r v a t o r y  a n d  w a s  a  c o n s i s t e n t  p r e s e n c e a m o n g  F r a n c e -
       based groups of composers whose works shaped symphonic music throughout the
       based groups of composers whose works shaped symphonic music throughout the
       20  century. His musical output was not as voluminous as many of his colleagues,  century. His musical output was not as voluminous as many of his colleagues,
       20
         th th
       but he was meticulous about orchestration and musical characteristics to realize his
       b u t  h e  w a s  m e t i c u l o u s a b o u t o r c h e s t r a t i o n  a n d  m u s i c a l  c h a r a c t e r i s t i c s  t o r e a l i z e  h i s
       artistic vision. Among his most popular works are Boléro, La Valse, an orchestration
       artistic vision. Among his most popular works are
       of Pictures at an Exhibition
       of Pictures at an Exhibition, and Tzigane.
       In the early 1920s, Ravel attended an improvisational performance by the
       In the early 1920s, Ravel attended an improvisational performance by the
       accomplished Hungarian violinist, Jelly d’Arányi. Impressed by her rendition of folk-
       accomplished Hungarian violinist, Jelly d’Arányi. Impressed by her rendition of folk-
       tunes, Ravel composed Tzigane, a short work for violin and piano, later orchestrated
       tunes, Ravel composed
       in 1924, based on a Hungarian “gypsy” style set in a rhapsodic fashion. “Tzigane”
       in 1924, based on a Hungarian “gypsy” style set in a rhapsodic fashion. “Tzigane”
       is a French term pertaining to the Roma people. The soloist performs alone for
       is a French term pertaining to the Roma people. The soloist performs alone for
       the fi rst half of the work, taking the listener through an array of fi gurations and
       the fi rst half of the work, taking the listener through an array of fi gurations and
       techniques one would associate with the style. The ensuing segments with the
       techniques one would associate with the style. The ensuing segments with the
       orchestra are a kaleidoscopic succession of delicate and frenetic dance passages.
       orchestra are a kaleidoscopic succession of delicate and frenetic dance passages.
       Ravel’s orchestral soundscape is inspired by an experimental attachment for pianos
       Ravel’s orchestral soundscape is inspired by an experimental attachment for pianos
       that simulated a Hungarian hammered dulcimer – the cimbalom.
       that simulated a Hungarian hammered dulcimer – the cimbalom.
       ©2024 Michael Christie
       ©2024 Michael Christie
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       SYMPHONY NO. 4 IN A MAJOR, OP. 90, “ITALIAN”
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                                         . 90
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       Felix Mendelssohn (b. Hamburg, 1809; d. Leipzig, 1847)
       F e l i x M e n d e l s s o h n
       Composed: 1831-1833; revised 1834-1837
       Composed: 1831-1833; revised 1834-1837
       Premiered: May 13, 1833 in London, conducted by the composer
       Premiered: May 13, 1833 in London, conducted by the composer
       Instrumentation: pairs of woodwinds, horns and trumpets, timpani and strings
       Instrumentation: pairs of woodwinds, horns and trumpets, timpani and strings
       Duration: approximately 27 minutes
       Duration: approximately 27 minutes
       Throughout his days, Mendelssohn preferred travel to quiet life at home: he
       Throughout his days, Mendelssohn preferred travel to quiet life at home: he
       trooped across Europe, from Vienna to Wales, from Hamburg to Naples, and
       trooped across Europe, from Vienna to Wales, from Hamburg to Naples, and
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