Page 24 - 2018 Art-i-facts Jan-Feb
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Southeastern University Students


                        Work With Rare Manuscripts






            Southeastern University English majors have something to   the opportunity to study abroad for the summer semester
            rejoice about. In Dr. Cameron McNabb’s, associate professor   of her master’s program at Cambridge, she came across a
            of English, seminar class on John Milton, students will not   rare copy of Milton’s Paradise Lost and had to have it. The
            only be reading Milton’s works this semester, they will also   only issue was McNabb didn’t have the funds to purchase
            have  the  unique  privilege  of  working,  hands-on,  with  rare   the book. So, taking the money she had brought with her
            texts from as early as the 1730s as a part of the course.  for transportation and lunches, she bought the book. Since
                                                                then, she has added to her collection a volume at a time, but
            “As a student at Southeastern, it is an incredible opportunity   her  1738  purchase  from  Cambridge  remains  her  favorite
            to  handle  texts  that  are  older  than  the  documents  that   edition.
            founded our nation. It gives me perspective to work with
            some  of  the  texts  that  influenced  our  forefathers  in  the   In addition to the literary aspects of the class, students
            development of this country,” said Emma Schlake, a student   will  also  learn  techniques  of  how  to  handle  antiquarian
            in the English class.                               manuscripts. Contrary to popular belief, the wearing
                                                                of  gloves  is  discouraged  and  can  harm  the  delicate
            The manuscripts are part of McNabb’s private collection of   manuscripts. Gloves often carry more dirt than clean, dry
            rare medieval works, amassed from her travels to New York,   hands and can result in the lifting of ink off of the text or
            London and Paris.                                   tearing of pages. Students are encouraged to wash and

            “This is the first time students are getting such a hands-  thoroughly dry their hands before handling rare or valuable
            on experience with my books,” says McNabb. “In previous   literary works.
            classes,  I've  brought  some  items  in  and  used  them  as   Special  supports  are  also  used  to  cradle  the  books  and
            examples  of  printing  conventions  or  book  history,  and   protect the often fragile spines of the manuscripts.
            students  have  always  been  really  drawn  to  looking  at
            authentic examples.”                                But the ultimate goal of the course is not just to examine
                                                                the  texts,  students  will  also  examine  visual  and  musical
            The  class  will  work  with  multiple  editions  of  Milton’s   adaptations  of  Milton’s  famous  work.  In  addition  to  this,
            most  famous  work,  Paradise  Lost,  including  one  volume   the young scholars will be working toward a final paper that
            illustrated  by  the  famous  engraver,  Gustave  Doré,  who  is   combines all aspects of their studies and strives to create
            also known for his illustrations of the Bible.
                                                                an original argument about the poem.
            In  addition  to  analyzing  the  epic  poem,  which  details   “Milton’s  texts  are  relevant  today  because  they  helped  to
            the biblical account of the Fall of Man, students will also   shape the framework of our society. The questions Milton was
            examine illustrations and engravings found throughout the   asking hundreds of years ago are still questions that we should
            manuscripts and observe how the various illustrators have   be asking. Focusing on the origin of sin, gender roles, pride,
            depicted  Satan  and  other  characters  from  Milton’s  work   and control helps us to evaluate the way we are functioning in
            over time.                                          society today in relation to our history,” said Schlake.

            “I find that what they're learning is much more meaningful   For McNabb, the hope is that these students will fill a void
            to them when they can see real examples,” says McNabb.   in Milton studies.
            “Students this semester are very excited to get to work with
            so many items from my collection. In some of our classes   “There hasn't been much scholarly interest in the 18th-century
            so far, I've handed out copies of engravings by Gustave Doré   editions of Milton, which my collection contains and which
            for us to discuss, but I remind them that they will be working   are part of the poem's tradition that extends to the visual and
            with an actual edition of Doré's Paradise Lost as well!”  musical artists discussed, so I hope my students' analyses
                                                                will begin to fill in a gap in the scholarship,” says McNabb.
            As an English major at the University of Maryland, McNabb
            explains that Milton was her first love. When she later had
                                                                  Page right: Students in a seminar class working with rare texts from
                                                                   as early as the 1730s. Photos courtesy of Southeastern University.



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