Page 34 - Powerlist 2019 - Digital Edition
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Arts, Fashion & Design                                     Yinka Shonibare




                                                                    Artist

                                                                    Yinka remains one of Britain’s leading artists and, as if to
                                                                    underscore the point, this year he was one of only six artists,
                                                                    including Tracey Emin and Grayson Perry, to be chosen out
                                                                    of 80 to design a set of stamps for the Royal Mail to celebrate
                                                                    the landmark 250th anniversary of the Royal Academy
                                                                    of Arts. Yinka is a royal academician and his stamp was
                                                                    entitled Queuing at the RA.
                                                                     His textile sculpture, Wind Sculpture VI, formed a
                                                                    centerpiece to the annual Royal Academy Summer
                                                                    Exhibition in 2017. Towering six metres tall in the courtyard
                                                                    of the historic gallery, Yinka’s textile sculpture marked
                                                                    a return to his use of Dutch wax textiles, and the three-
                                                                    dimensional piece of fabric appeared to blow in the breeze.
                                                                    Summer Show co-ordinator Eleanor Cooper said it explored
                                                                    “the notion of harnessing motion and freezing it in a
                                                                    moment of time”.
                                                                     In March 2017, his powerful pro-immigration British
                                                                    Library exhibition at New York’s James Cohan gallery saw
                                                                    no fewer than 6,000 books bound in the Nigerian-British
                                                                    artist’s trademark printed batik cotton lining the walls. Each
                                                                    book had the name of an immigrant to the UK printed on its
                  Chris Ofili                                       spine, in celebration of their contributions to British culture.
                                                                    The work was showcased last year at Margate’s Turner
                  Artist                                            Contemporary gallery.
                                                                     Yinka’s physical disability continues to increase with age
                  Chris is one of the original Young British Artists and 20 years   – as a teenager he contracted an inflammation of the spinal
                  later Turner Prize-winner Chris Ofili remains one of the   cord, paralysing one side of his body – and he now uses
                  world’s foremost creatives.                       an electric wheelchair. He uses assistants to help make his
                   He came to prominence in the 1990s, going on to win the   iconic works under direction.
                  top British arts award in 1998. In June 2015, his controversial   Yinka has exhibited at the Venice Biennial and leading
                  painting The Holy Virgin Mary, which depicts a black Virgin   museums worldwide.
                  Mary surrounded by photos of female genitalia cut out from   In 2003, he was awarded an MBE. In 2004, he was
                  pornographic magazines and decorated with elephant dung,   shortlisted for the Turner Prize.
                  was sold by art collector David Walsh for £2.9million at
                  Christie’s. It was an auction record for the Trinidad-based
                  British artist.
                   The painting caused a furore when it was exhibited in
                  New York 16 years ago. Then-Mayor, Rudy Giuliani, called it
                  “sick” and wanted it banned.
                   In April 2015, Chris was named one of Time magazine’s
                  100 most influential people in the world. He was the only
                  visual artist on the list. In April 2017, he received a CBE for
                  his services to art, saying the honour was special because of
                  his parents’ decision to move to England from Nigeria more
                  than 40 years ago.
                   In 2017, Chris unveiled his first ever tapestry work at the
                  National Gallery – a spectacular and monumental piece,
                  The Caged Bird’s Song, fusing classical mythology with
                  the vibrancy of the Trinidadian landscape and referencing
                  contemporary black culture. The work hung in the iconic
                  central London gallery for several weeks before taking up
                  permanent residence at the Clothworkers’ Company, which
                  commissioned it. The artwork took five weavers three years
                  to complete in an Edinburgh weaving studio and has been
                  credited with breathing new life into a faltering craft.
                   In the same year, Chris also unveiled his inaugural show
                  for Victoria Miro’s new Venice gallery – the first artist to
                  show at the permanent space. His Poolside Magic series of
                  vivid watercolour, pastel and charcoal works on paper were
                  acclaimed as “resoundingly beautiful”.




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