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A30    PEOPLE & ARTS
               Thursday 21 February 2019

            Rolling in the deep: HBO film looks at roller skate culture




            By MARK KENNEDY                                                                        proached  a  roller  rink  at  plained  that  roller  skating
            Associated Press                                                                       midnight.  It  was  far  from  teaches  patience,  ath-
            NEW YORK (AP) — First-time                                                             funereal:  There  was  a  line  leticism,  purpose,  positive
            documentary     filmmakers                                                             down  the  block,  music  reinforcement,       determi-
            Tina Brown and Dyana Win-                                                              was pumping, skaters were  nation  —  and  getting  up
            kler  lugged  their  cameras                                                           dressed  to  kill  and  every-  after  a  fall.  “Roller  skating
            to Central Park in New York                                                            one seemed to know each  is a little bit more than go-
            one day to capture the last                                                            other.  They  soon  learned  ing in circles on a couple of
            few people still passionate                                                            that  each  city  had  differ-  wheels,”  he  said.  “It’s  fun.
            about  roller  skating.  Rinks                                                         ent  skate  dance  styles  —  It’s  an  enjoyable  exercise.
            across  the  country  were                                                             Baltimore  has  “Snapping,”  It’s healthy and there are a
            gone. The activity seemed                                                              Atlanta has the “Jacknife”  lot of great benefits. But the
            dead.  “We  were  shooting                                                             and  in  Texas  you  do  the  socioeconomics   benefits
            a  piece  about  what  we    This image released b HBO shows a scene from the documentary   “Slow  Walk”  —  and  how  to  roller  skating  are  higher
            thought was the end of the   “United Skates,” premiering Feb. 18, 2019 on HBO.         such  a  tight  fellowship  than  anybody  can  think
            era of skating with what we                                           Associated Press  among  skaters  is  forged  of.”  “Name  me  another
            thought were the last men  ture of roller skating, which   tors  and  masses  of  police,  that they will fly across the  activity  that’s  family-af-
            standing,”  said  Winkler.  is under threat.              something  not  used  when  country to get together.      fordable, that you can go
            “We  thought,  ‘Who  roller  “We hope that our viewers    whites  come  to  skate.  It  Embraced  by  the  com-     to on a Saturday and take
            skates anymore?’”            will  learn  something  they   also  shows  how  rinks  are  munity,  Winkler  and  Brown  five members of your fam-
            They  may  have  come  for  didn’t  know  about,  fall  in   being closed as communi-  never paid for a hotel room  ily  and  you  can  skate  for
            a  funeral  but  they  found  love  with  something  they   ties  chase  more  revenue  or car rental or a meal while  four  hours  and  everybody
            something else entirely. Two  didn’t  know  about,  and   by rezoning for retail use.  crisscrossing the country in-  can have a good time and
            young    African-American  maybe  be  compelled  to       “There’s  a  bigger  story  to  terviewing  some  100  skat-  exercise.” “United Skates” is
            skaters  approached  them  care enough to protect it,”    tell and we can use the joy-  ers. The skaters themselves  a documentary made par-
            and asked them what they  Winkler said.                   ous beauty of roller skating  opened  their  homes  and  tially by the subjects them-
            were  doing.  “They  said,  The documentary explores      as the sugar to spoon-feed  drove them around.            selves.  Winkler  and  Brown,
            ‘Skating’s  not  dead.  It  just  how  roller  rinks  were  the   some of these bigger issues.  The  documentary  features  who began the project as
            went  underground,’”  Win-   sites  of  some  of  the  earli-  That’s  when  we  started  to  interviews with hip-hop leg-  beginner  skaters,  enlisted
            kler recalled.               est  fights  of  the  civil-rights   peel back the layers,” Win-  ends like Salt-N-Pepa, Coo-  skaters to shoot scenes and
            Winkler and Brown decided  era and how they later be-     kler said.                   lio and Vin Rock of Naugh-   used their rink skills to help
            to go find it. Five years and  came  the  launching  pads   That  day  in  Central  Park  ty by Nature. John Legend  capture footage.
            500 hours of footage later,  for hip-hop artists.         changed  the  trajectory  —  is  an  executive  producer  “They  would  push  us  from
            they’ve  emerged  with  the  It  shows  how  unofficial   and the lives — of the film-  and  the  film  received  the  behind   at   these   high
            HBO film “United Skates,” a  segregation  lives  on,  with   makers.  The  young  skaters  Documentary   Audience  speeds  and  we  would  just
            fascinating look at the rich  so-called  “adult  nights”   they met invited the wom-   Award  at  the  Tribeca  Film  focus  on  the  camera  and
            African-American  subcul-    that  feature  metal  detec-  en to come and see what  Festival.                       just  pray,”  said  Winkler.
                                                                      had  happened  to  skating.  The  cameras  also  follow  “It  really  was  collabora-
                                                                      And so they got on a night  Reggie  Brown,  a  roller-    tion.  They  like  to  say  we
                                                                      bus to Richmond, Virginia.   skating  ambassador  and  taught them how to shoot
                                                                      The  duo  —  one  Austra-    community  advocate.  In  and they taught us how to
                                                                      lian,  one  American  —  ap-  a  phone  interview,  he  ex-  skate.”q


                                                                      Carsie Blanton makes disillusionment fun



                                                                                                   Many,  especially  on  the  girl vocals for a lack of emo-
                                                                                                   left, have sometimes been  tional  depth.  On  a  lovely
                                                                                                   preachy, literal or too full of  ballad called “Harbor,” she
                                                                                                   themselves to be bearable.   counsels  risk-taking:  “Lov-
                                                                                                   Now  comes  Carsie  Blan-    ers  run  to  ruin,  soldiers  run
                                                                                                   ton, a New Orleans-based  to  war,  ships  are  safe  in
                                                                                                   singer  and  part-time  sex  harbor, but that ain’t what
                                                                                                   blogger,   whose     entry,  ships are for.”
                                                                                                   “Buck Up,” offers a radical  Blanton’s   political   take
                                                                                                   but  playful  take  on  it  all.  emerges vividly on “Ameri-
                                                                                                   She is disillusioned, yes, but  can Kid,” a song about the
                                                                      This cover image released by
                                                                      So  Ferocious  Records  shows   she  isn’t  taking  things  too  world we’re leaving to our
                                                                      “Buck  Up,”  the  latest  release   seriously.  Blanton  blends  children. It’s a danger zone
                                                                      by Carsie Blanton.           revolutionary  politics  with  for  cliches,  but  Blanton’s
                                                                                  Associated Press  daring commentary about  take is original and cutting.
                                                                      By SCOTT STROUD              relationships, all laid out on  On the title cut, she chan-
                                                                      Associated Press             a bed of clever, label-resis-  nels  John  Prine  so  vividly
                                                                      Carsie  Blanton,  “Buck  Up”  tant songcraft. A rough-cut  that  she  offers  the  song-
                                                                      (So Ferocious Records)       lover she’s attracted to, for  writing  legend  a  writing
                                                                      Songwriters  of  all  political  example, has “got a kiss like  credit in the liner notes. The
                                                                      persuasions  have  labored  summer  in  the  dirty  South,  song, a manifesto for cop-
                                                                      to define the odd moment  but I don’t mind at all.”       ing, caps off an engaging
                                                                      we’ve  been  living  through  It would be wrong, though,  album  that  succeeds  by
                                                                      since  the  U.S.  election  of  to mistake Blanton’s some-  finding  joy  in  the  face  of
                                                                      2016  upended  everything.  times-graphic lyrics or little-  disillusionment.q
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