Page 86 - BLACK SKIN, WHITE MASK
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THE MAN OF COLOR AND THE WHITE WOMAN  47



                                  the level of ideas and knowledge. As a matter of fact, his friends
                                  and schoolmates hold him in high regard: “What a perpetual
                                  dreamer! You know, my old pal, Veneuse, is really a character.
                                  He never takes his nose out of his books except to scribble all
                                  over his notebooks.” 2
                                    But a sentimentalist who goes nonstop from singing Spanish
                                  songs to translating into English. Shy, but uneasy as well: “As I
                                  was leaving them, I heard Divrande say to him: ‘A good kid, that
                                  Veneuse—he seems to like being sad and quiet, but he’s always
                                  helpful. You can trust him. You’ll see. He’s the kind of Negro that
                                  a lot of white guys ought to be like.’ ” 3
                                    Uneasy and anxious indeed. An anxious man who cannot
                                  escape his body. We know from other sources that René Maran
                                  cherished an affection for André Gide. It seems possible to fi nd a
                                  resemblance between the ending of Un homme pareil aux autres
                                  and that of Gide’s Strait is the Gate. This departure, this tone of
                                  emotional pain, of moral impossibility, seems an echo of the story
                                  of Jérôme and Alissa.
                                    But there remains the fact that Veneuse is black. He is a bear
                                  who loves solitude. He is a thinker. And when a woman tries to
                                  start a fl irtation with him, he says, “Are you trying to smoke
                                  out an old bear like me? Be careful, my dear. Courage is a fi ne
                                  thing, but you’re going to get yourself talked about if you go on
                                  attracting attention this way. A Negro? Shameful—it’s beneath
                                  contempt. Associating with anybody of that race is just utterly
                                  disgracing yourself.” 4
                                    Above all, he wants to prove to the others that he is a man, their
                                  equal. But let us not be misled: Jean Veneuse is the man who has
                                  to be convinced. It is in the roots of his soul, as complicated as
                                  that of any European, that the doubt persists. If the expression
                                  may be allowed, Jean Veneuse is the lamb to be slaughtered. Let
                                  us make the effort.
                                    After having quoted Stendhal and mentioned the phenomenon
                                  of “crystallization,” he declares that he loves

                                  2.  Ibid., p. 87.
                                  3.  Ibid., pp. 18–19.
                                  4.  Ibid., pp. 45–46.








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