Page 12 - Sorrow of the Earth: Buffalo Bill, Sitting Bull and the Tragedy of Show Business
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shape and form. And sometimes, the stage seems to exist more than the world,

                 it is more present than our own lives, more moving and more persuasive than
                 reality, more terrifying than our nightmares.
                     And  in  order  to  bring  in  an  audience,  in  order  to  get  ever  more  people
                 wanting to come and see the Wild West Show, they had to be told a story, the
                 story that millions of Americans, and then millions of Europeans, wanted to
                 hear, the only story they wanted to hear, and the one that, perhaps without
                 knowing it, they were already hearing in the crackle of the electric light bulbs.

                 The inhabitants of American cities, this new breed of humans whose disquiet
                 is a stubborn question addressed only to them, and to no one else, who in the
                 depths of their angst have a sense of being set apart, designated by the spirit of
                 progress to seize the torch of humanity and hold it higher than anyone has
                 ever held it before, let me tell you, these inhabitants of the cities of America

                 wanted to witness something different, they wanted to travel across the Great
                 Plains  in  their  imagination,  to  ride  through  the  canyons  of  Colorado  and
                 experience the lives of the pioneers. It might appear strange, but by means of
                 the  lives  of  the  pioneers  and  the  turbulent  tales  of  their  migration,  the
                 inhabitants  of  the  young  American  cities  wanted  to  be  present  at  a  live
                 broadcast  of  their  own  History,  that  great  display  of  courage  and  violence
                 which, a few thousand miles away, was still in the making.


                 All this was very splendid, but in reality, thanks to a fetid emanation from the
                 crowd  or  an  effluence  from  the  soul,  Buffalo  Bill  knew  that  it  wasn’t  the

                 cowpokes or the sharpshooters that the crowds came to see. No. The power of
                 his spectacle (and he probably didn’t really know where it came from), the
                 idea that gave it its authentic substance, the thing that made it irresistible was
                 the  presence  of  the  Indians,  real  Indians.  Yes,  that  was  the  only  thing  that
                 people came for. Oh! of course they didn’t realize this themselves, because

                 most of them despised Indians. But if they scrimped and saved to buy tickets
                 for every member of the family, and took their seats quietly in a row on the
                 bleachers,  it  was  unquestionably  to  see  the  Indians  and  not  for  any  other
                 reason.  So  Buffalo  Bill  had  to  show  Indians.  And  for  such  a  spectacle  to
                 prosper, he had to keep coming up with new stars.
                     For this, apart from Buffalo Bill himself, there was Major John Burke, his
                 impresario. Like most of the people who wore cuffs in those days, John Burke

                 wasn’t  a  major  at  all.  You  come  across  him  sometimes  under  the  name  of
                 Arizona John, although he had never been to Arizona either. He was just a
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