Page 18 - Sorrow of the Earth: Buffalo Bill, Sitting Bull and the Tragedy of Show Business
P. 18

both  the  reconciliation  between  two  peoples  and  the  moral  and  physical

                 superiority of the Americans. Which is why in the photograph Buffalo Bill
                 exaggeratedly  puffs  out  his  chest  in  an  attempt  to  give  himself  a  more
                 dignified air. He stands very straight, his left leg thrust slightly forward, his
                 head held regally high, sizing up the Indian. Sitting Bull stares into the void,
                 and simply extends his hand. Progress wins out. We look on with perplexity.


                                                             *


                 I don’t know exactly where in the United States Sitting Bull made his first
                 stage  appearance  and  began  his  acting  career;  but  the  show  never  changed
                 very  much.  Right  at  the  beginning,  while  “The  Star-Spangled  Banner”  is

                 being intoned, Buffalo Bill suddenly appears: he’s on horseback, his arm is
                 raised, and he holds his hat in his hand. Cowboys and Indians parade around
                 him, also on horseback. A trumpet sounds. And then, the person everyone has
                 been waiting for enters the arena. For the highlight of the show isn’t a show,
                 it’s reality. Yes, there’s nothing to beat it! Reality is an excessive thing; it’s
                 everywhere  and  nowhere;  and  for  some  time  now  it  seems  to  have  been

                 fading. It’s strange, and it’s hard to explain: reality is still there but it’s as if it
                 had lost its substance. Everything you thought it was founded on has suddenly
                 been  disrupted,  altered,  damaged,  exposed.  Nothing  looks  the  same;
                 everything seems to have been swept up by speed, money and trade! And you
                 can’t really say what former dreams and images fill you with regret. What do
                 we regret? What society? What ideal? What sweetness?
                     And now the show is starting. An Indian enters the arena; it’s the victor of

                 the Battle of the Little Big Horn. He’s wearing his finest costume. “Ladies and
                 gentlemen,  let  me  introduce  the  great  Indian  chief...”  vociferates  Frank
                 Richmond from his rostrum.
                     Sitting Bull has probably never been as alone as he is at this moment, in
                 the  midst  of  the  American  flags  and  the  great  entertainment  machine.  He

                 wasn’t as alone as this when he was living in exile in Canada, with a bunch of
                 other undesirables; the initial darkness is impenetrable. And to be sure, you
                 would be alone on horseback, in the icy rain, wandering between indistinct
                 shapes in the great forest. Yes, you would be alone and sad, but you were free,
                 and you were filled with a burning hatred. And now Sitting Bull is alone in the
                 arena; the grand thing that he loved has been left behind, a long way behind.
                 And  here,  on  the  bleachers,  this  is  what  people  have  come  for;  they’ve  all
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