Page 298 - A Little Life: A Novel
P. 298

and so in a way, this man was no better or worse than the others. As he had
                given the man a blow job, the man’s stomach pressing against his neck, the
                man had cried, apologizing to him: I’m sorry, I’m sorry, he said, the tips of

                his fingers on the top of his head. The man had long fingernails, each as
                thick as bone, and he dragged them over his scalp, but gently, as if they
                were tines of a comb. And somehow, it is as if over the years he has become
                that man, and he knows that if anyone were to see him, they too would feel
                repulsed, nauseated by his deformities. He doesn’t want someone to have to
                stand before the toilet retching, as he had done afterward, scooping handfuls
                of liquid soap into his mouth, gagging at the taste, trying to make himself

                clean again.
                   So  he  will  never  have  to  do  anything  he  doesn’t  want  to  for  food  or
                shelter:  he  finally  knows  that.  But  what  is  he  willing  to  do  to  feel  less
                alone? Could he destroy everything he’s built and protected so diligently for
                intimacy? How much humiliation is he ready to endure? He doesn’t know;
                he is afraid of discovering the answer.

                   But  increasingly,  he  is  even  more  afraid  that  he  will  never  have  the
                chance to discover it at all. What does it mean to be a human, if he can
                never have this? And yet, he reminds himself, loneliness is not hunger, or
                deprivation, or illness: it is not fatal. Its eradication is not owed him. He has
                a better life than so many people, a better life than he had ever thought he
                would have. To wish for companionship along with everything else he has
                seems a kind of greed, a gross entitlement.

                   The  weeks  pass.  Willem’s  schedule  is  erratic,  and  he  calls  him  at  odd
                hours: at one in the morning, at three in the afternoon. He sounds tired, but
                it isn’t in Willem’s nature to complain, and he doesn’t. He tells him about
                the scenery, the archaeological sites they’ve been given permission to shoot
                in,  the  little  mishaps  on  set.  When  Willem  is  away,  he  is  increasingly
                inclined to stay indoors and do nothing, which he knows isn’t healthy, and

                so he has been vigilant about filling his weekends with events, with parties
                and  dinners.  He  goes  to  museum  shows,  and  to  plays  with  Black  Henry
                Young and to galleries with Richard. Felix, whom he tutored so long ago,
                now helms a punk band called the Quiet Amerikans, and he makes Malcolm
                come  with  him  to  their  show.  He  tells  Willem  about  what  he’s  seen  and
                what he’s read, about conversations with Harold and Julia, about Richard’s
                latest  project  and  his  clients  at  the  nonprofit,  about  Andy’s  daughter’s
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