Page 40 - A Little Life: A Novel
P. 40

to  do  anything  about  it.  He  knew  Jude  would  hate  how  fragile,  how
                feminine, how vulnerable, how young it made him look, and knew too he
                would find lots of other imaginary things to hate about it as well, things JB

                couldn’t even begin to anticipate because he wasn’t a self-loathing nut job
                like  Jude.  But  to  him,  it  expressed  everything  about  what  he  hoped  this
                series would be: it was a love letter, it was a documentation, it was a saga, it
                was his. When he worked on this painting, he felt sometimes as if he were
                flying, as if the world of galleries and parties and other artists and ambitions
                had shrunk to a pinpoint beneath him, something so small he could kick it
                away from himself like a soccer ball, watch it spin off into some distant

                orbit that had nothing to do with him.
                   It was almost six. The light would change soon. For now, the space was
                still quiet around him, although distantly, he could hear the train rumbling
                by on its tracks. Before him, his canvas waited. And so he picked up his
                brush and began.




                   There  was  poetry  on  the  subway.  Above  the  rows  of  scooped-plastic
                seats, filling the empty display space between ads for dermatologists and

                companies  that  promised  college  degrees  by  mail,  were  long  laminated
                sheets printed with poems: second-rate Stevens and third-rate Roethke and
                fourth-rate Lowell, verse meant to agitate no one, anger and beauty reduced
                to empty aphorisms.
                   Or  so  JB  always  said.  He  was  against  the  poems.  They  had  appeared
                when  he  was  in  junior  high,  and  for  the  past  fifteen  years  he  had  been
                complaining  about  them.  “Instead  of  funding  real  art  and  real  artists,

                they’re giving money to a bunch of spinster librarians and cardigan fags to
                pick out this shit,” he shouted at Willem over the screech of the F train’s
                brakes. “And it’s all this Edna St. Vincent Millay–type shit. Or it’s actually
                good people they’ve neutered. And they’re all white, have you noticed that?
                What the fuck is up with that?”
                   The following week, Willem saw a Langston Hughes poster and called

                JB  to  tell  him.  “Langston  Hughes?!”  JB  groaned.  “Let  me  guess—‘A
                Dream Deferred,’ right? I knew it! That shit doesn’t count. And anyway, if
                something really did explode, that shit’d be down in two seconds flat.”
                   Opposite  Willem  that  afternoon  is  a  Thom  Gunn  poem:  “Their
                relationship  consisted  /  In  discussing  if  it  existed.”  Underneath,  someone
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