Page 624 - A Little Life: A Novel
P. 624

tried  to  distill  Willem’s  very  body  chemistry.  He  would  have  taken  him,
                just-woken, to the perfumer in Florence. “Here,” he would’ve said. “This.
                This scent. I want you to bottle this.” Jane had once told him that as a girl

                she  had  been  terrified  her  father  would  die,  and  she  had  secretly  made
                digital copies of her father’s dictation (he had been a doctor as well) and
                stored them on flash drives. And when her father finally did die, four years
                ago,  she  had  rediscovered  them,  and  had  sat  in  a  room  playing  them,
                listening to her father dictating orders in his calm, patient voice. How he
                envied Jane this; how he wished he had thought to do the same.
                   At least he had Willem’s films, and his e-mails, and letters he had written

                him over the years, all of which he had saved. At least he had Willem’s
                clothes, and articles about Willem, all of which he had kept. At least he had
                JB’s paintings of Willem; at least he had photographs of Willem: hundreds
                of them, though he only allotted himself a certain number. He decided he
                would allow himself to look at ten of them every week, and he would look
                and look at them for hours. It was his decision whether he wanted to review

                one a day or look at all ten in a single sitting. He was terrified his computer
                would  be  destroyed  and  he  would  lose  these  images;  he  made  multiple
                copies of the photographs and stored the discs in various places: in his safe
                at  Greene  Street,  in  his  safe  at  Lantern  House,  in  his  desk  at  Rosen
                Pritchard, in his safe-deposit box at the bank.
                   He had never considered Willem a thorough cataloger of his own life—
                he  isn’t  either—but  one  Sunday  in  early  March  he  skips  his  drugged

                slumber and instead drives to Garrison. He has only been to the house twice
                since that September day, but the gardeners still come, and the bulbs are
                beginning to bud around the driveway, and when he steps inside, there is a
                vase of cut plum branches on the kitchen counter and he stops, staring at
                them: Had he texted the housekeeper to tell her he was coming? He must
                have.  But  for  a  moment  he  fancies  that  at  the  beginning  of  every  week

                someone comes and places a new arrangement of flowers on the counter,
                and at the end of every week, another week in which no one comes to see
                them, they are thrown away.
                   He goes to his study, where they had installed extra cabinetry so Willem
                could  store  his  files  and  paperwork  there  as  well.  He  sits  on  the  floor,
                shrugging off his coat, then takes a breath and opens the first drawer. Here
                are file folders, each labeled with the name of a play or movie, and inside

                each  folder  is  the  shooting  version  of  the  script,  with  Willem’s  notes  on
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