Page 625 - A Little Life: A Novel
P. 625

them. Sometimes there are call sheets from days when an actor he knew
                Willem  particularly  admired  was  going  to  be  filming  with  him:  he
                remembers how excited Willem had been on The Sycamore Court, how he

                had sent him a photo of that day’s call sheet with his name typed directly
                beneath Clark Butterfield’s. “Can you believe it?!” his message had read.
                   I can totally believe it, he’d written back.
                   He  flips  through  these  files,  lifting  them  out  at  random  and  carefully
                sorting  through  their  contents.  The  next  three  drawers  are  all  the  same
                things: films, plays, other projects.
                   In the fifth drawer is a file marked “Wyoming,” and in this are mostly

                photos, most of which he has seen before: pictures of Hemming; pictures of
                Willem  with  Hemming;  pictures  of  their  parents;  pictures  of  the  siblings
                Willem never knew: Britte and Aksel. There is a separate envelope with a
                dozen pictures of just Willem, only Willem: school photos, and Willem in a
                Boy Scout uniform, and Willem in a football uniform. He stares at these
                pictures, his hands in fists, before placing them back in their envelope.

                   There are a few other things in the Wyoming file as well: a third-grade
                book report, written in Willem’s careful cursive, on The Wizard of Oz that
                makes him smile; a hand-drawn birthday card to Hemming that makes him
                want to cry. His mother’s death announcement; his father’s. A copy of their
                will. A few letters, from him to his parents, from his parents to him, all in
                Swedish—these he sets aside to have translated.
                   He  knows  Willem  had  never  kept  a  journal,  and  yet  when  he  looks

                through  the  “Boston”  file,  he  thinks  for  some  reason  he  might  find
                something.  But  there  is  nothing.  Instead  there  are  more  pictures,  all  of
                which he has seen before: of Willem, so shiningly handsome; of Malcolm,
                looking suspicious and slightly feral, with the stringy, unsuccessful Afro he
                had tried to cultivate throughout college; of JB, looking essentially the same
                as he does now, merry and fat-cheeked; of him, looking scared and drowned

                and very skinny, in his awful too-big clothes and with his awful too-long
                hair, in his braces that imprisoned his legs in their black, foamy embrace.
                He stops at a picture of the two of them sitting on the sofa in their suite in
                Hood, Willem leaning into him and looking at him, smiling, clearly saying
                something, and him, laughing with his hand over his mouth, which he had
                learned  to  do  after  the  counselors  at  the  home  told  him  he  had  an  ugly
                smile. They look like two different creatures, not just two different people,

                and he has to quickly refile the picture before he tears it in half.
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