Page 282 - And the Mountains Echoed (novel)
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Another nursery rhyme. This one about the bridge in Avignon.
                Pari hums the tune for me, then recites the lyrics:



                    Sur le pont d’Avignon
                    L’on y danse, l’on y danse

                    Sur le pont d’Avignon
                    L’on y danse tous en rond.


                “Maman taught it to me when I was little,” she says, tightening the knot of her
               scarf against a sweeping gust of cold wind. The day is chilly but the sky blue and
               the sun strong. It strikes the gray-metal-colored Rhône broadside and breaks on

               its surface into little shards of brightness. “Every French child knows this song.”
                   We are sitting on a wooden park bench facing the water. As she translates the
               words, I marvel at the city across the river. Having recently discovered my own
               history,  I  am  awestruck  to  find  myself  in  a  place  so  chockful  of  it,  all  of  it
               documented,  preserved.  It’s  miraculous.  Everything  about  this  city  is.  I  feel
               wonder at the clarity of the air, at the wind swooping down on the river, making
               the water slap against the stony banks, at how full and rich the light is and how it
               seems  to  shine  from  every  direction.  From  the  park  bench,  I  can  see  the  old
               ramparts  ringing  the  ancient  town  center  and  its  tangle  of  narrow,  crooked
               streets; the west tower of the Avignon Cathedral, the gilded statue of the Virgin
               Mary gleaming atop it.

                   Pari  tells  me  the  history  of  the  bridge—the  young  shepherd  who,  in  the
               twelfth century, claimed that angels told him to build a bridge across the river
               and who demonstrated the validity of his claim by lifting up a massive rock and
               hurling  it  in  the  water.  She  tells  me  about  the  boatmen  on  the  Rhône  who
               climbed  the  bridge  to  honor  their  patron,  Saint  Nicholas.  And  about  all  the
               floods over the centuries that ate away at the bridge’s arches and caused them to
               collapse.  She  says  these  words  with  the  same  rapid,  nervous  energy  she  had
               earlier in the day when she led me through the Gothic Palais des Papes. Lifting
               the audio-guide headphones to point to a fresco, tapping my elbow to draw my
               attention to an interesting carving, stained glass, the intersecting ribs overhead.

                   Outside the Papal Palace, she spoke nearly without pause, the names of all the
               saints  and  popes  and  cardinals  spilling  from  her  as  we  strolled  through  the
               cathedral square amid the flocks of doves, the tourists, the African merchants in
               bright  tunics  selling  bracelets  and  imitation  watches,  the  young,  bespectacled
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