Page 423 - A Little Life: A Novel
P. 423

career, reviewing the history of his roles. They both knew that Kit was far
                more ambitious for him than he was—he always had been. And yet it had
                been Kit who’d gotten him on the first flight out of Sri Lanka after Richard

                had  called  him;  Kit  who’d  had  the  producers  shut  down  production  for
                seven days so he could fly to New York and back.
                   “I don’t mean to offend you, Willem,” Kit had said, carefully. “I know
                you love him. But come on. If he were the love of your life, I’d understand.
                But this seems extreme to me, to inhibit your career like this.”
                   And yet he sometimes wondered if he could ever love anyone as much as
                he loved Jude. It was the fact of him, of course, but also the utter comfort of

                life with him, of having someone who had known him for so long and who
                could  be  relied  upon  to  always  take  him  as  exactly  who  he  was  on  that
                particular day. His work, his very life, was one of disguises and charades.
                Everything about him and his context was constantly changing: his hair, his
                body,  where  he  would  sleep  that  night.  He  often  felt  he  was  made  of
                something liquid, something that was being continually poured from bright-

                colored bottle to bright-colored bottle, with a little being lost or left behind
                with each transfer. But his friendship with Jude made him feel that there
                was something real and immutable about who he was, that despite his life
                of guises, there was something elemental about him, something that Jude
                saw even when he could not, as if Jude’s very witness of him made him
                real.
                   In  graduate  school  he’d  had  a  teacher  who  had  told  him  that  the  best

                actors are the most boring people. A strong sense of self was detrimental,
                because  an  actor  had  to  let  the  self  disappear;  he  had  to  let  himself  be
                subsumed by a character. “If you want to be a personality, be a pop star,”
                his teacher had said.
                   He had understood the wisdom of this, and still did, but really, the self
                was  what  they  all  craved,  because  the  more  you  acted,  the  further  and

                further  you  drifted  from  who  you  thought  you  were,  and  the  harder  and
                harder it was to find your way back. Was it any wonder that so many of his
                peers were such wrecks? They made their money, their lives, their identities
                by impersonating others—was it a surprise, then, that they needed one set,
                one stage after the next, to give their lives shape? Without them, what and
                who were they? And so they took up religions, and girlfriends, and causes
                to give them something that could be their own: they never slept, they never

                stopped, they were terrified to be alone, to have to ask themselves who they
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