Page 27 - Q01-2021 Fins Magazine
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 job on it.  In terms of doing the   of exposure, aperture and shutter   camera setting, given that there
 post-production, I had to really   speed, the better your control of   are so many other things to think
 make sure that the prosthetic was   your images will be.  It doesn’t   about with regards to lighting and
 looking the best.  So there was a   necessarily mean your images   positioning and all the things that
 lot of kind of feedback from her   will be any better, it just means   could go wrong. I mean, arguably
 as the client, letting me know that   you’ve got more control over   maybe a simpler camera to start
 she needed me to kind of finesse   it.  Some of my most favorite   with is a smarter way to start.
 a few little things just to kind of   footage, for example, in terms
 fix anything that might have kind   of video was shot on an iPhone   Brett S
 of started to wear off in the pool.   five in the Bahamas.  And it just   That’s absolutely right. There’s a
 Outside of that, then there’s not a   so happened that the situation   tradeoff.  I don’t want to invest
 lot.  It’s mostly just cleaning up the   we were in, and the model I was   any more gear in something until
 background, removing anything   working with made it amazing.   I know that I’m really going to
 that might be a little distracting.   This camera was just enough to   love it or I’m going to start making
 Luckily for this one, the bubbles   capture that.  Whereas if I tried   money from it.  So for me, I’m
 and the light kind of all work   to do a set with my underwater   starting off with the cheapest I
 together.  So I don’t think there   phone, my iPhone five, it probably   can afford with the controls that
 was a whole lot that I needed to   wouldn’t look very good.  It would   I want. So if I was just starting
 do.  look very boring.  So it’s really a   out in this, I would probably get
 matter of kind of working out the   a GoPro, an iPhone or something
 JW  best situation for which tool you   with a case on it.  And then you
 For a photographer starting out,   have. I’m not sure if that really   learn from that, what the mistakes
 what kind of advice would you   helps.  are, and what you don’t like, and
 give?   what do you want to change.
 JW  So suddenly, you realize that the
 Brett S  That totally makes sense to me.   GoPro it keeps changing exposure
 The main thing is to make the   And you could have a super   all the time, you don’t have any
 most of the equipment you have.   sophisticated camera but not   control over that, or its lens is way
 If the camera that you have is   know how to use it, then you   too wide for what you want to do.
 a GoPro, then use that as much   might as well use an iPhone.  So, then you start looking for the
 as you can. If it’s an iPhone, or   next step up to fix those problems
 Android that can go underwater,   that you’re finding.
 play with those sorts of things.   Brett S
 You need to work with the tools   A lot of cameras these days   JW
 you have until you can invest   have facial recognition. And that   What kind of advice on equipment
 money into getting better tools.    will work underwater in terms   could you give someone who’s just
 And so, in saying that I do tend to   of in terms of focusing.  So say   got their iPhone? Let’s say, they’re
 shoot a lot with my iPhone. What   my iPhone 12 underwater, it’ll   going to get the case, jump in,
 I know, though, is that I have very   find someone’s face.  And it’ll   and start fooling around and see
 little control over stuff. I have to   focus on that primarily.  So long   if they get a passion for it. What
 shoot things that I know are going   as you’re wanting that piece to   kind of direction would you give
 to work with that iPhone.  So   be in focus, it’ll be fine.  But you   them for underwater lighting?
 say, if I’m in the Florida springs, I   have to remember that all these
 know that it doesn’t have a very   cameras, especially the cheaper   Brett S
 dynamic range.  This means that   end, are trying to do everything   Yeah, so there’s a few places
 if things are very dark in one side   they can to make your job easier.    you can start with that.  And the
 and very bright and the other side,   Sometimes that doesn’t give you   cheapest option is natural lighting.
 then my camera will not really   the results that you want. I like a   So, the sun is an awesome light,
 handle that sort of image.  I will   manual camera that I can change   which is beautiful when used
 just mainly shoot in in the shade,   all the settings on because I know   correctly. If you jump into your
 rather than having to try and bring   what I want based on experience.   swimming pool and try to take
 in lights and all that sort of stuff.   If a camera starts trying to make   some photos under there, like
 decisions for me, that’s when I   say, in the middle of the day,
 So, if you’re looking to sort of   start to lose control over the final   there’s going to be lots of ripples.
 start in this world, then invest in   result.  That’s what happens when the
 a very cheap housing for phone   light refracts through the water
 or a housing for a small compact   JW  and creates these hotspots. And
 camera.  The more controls you   Well, but for someone that doesn’t   the problem of those hotspots is
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 have over that camera in terms   have the experience with manual   that they will make one part of
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