Page 309 - Royal Liverpool Philharmonic Coverage Book 2023-24
P. 309

Forget this Night Katherine Dain (soprano), Sam Armstrong (piano) (7 Mountain Records)
               This song collection’s title comes from a poem by the Indian writer Rabindranath Tagore.
               Intriguingly, two settings are included, one (in Polish) by Grażyna Bacewicz, the other (in
               German) by Karol Szymanowski. Bacewicz’s is terse and declamatory, Szymanowski’s tender
               and ruminative. Soprano Katherine Dain’s recital disc contains some exquisite music, and you’re
               continually wondering why so many of these songs aren’t better-known. The Bacewiecz and
               Szymanowski numbers are heard alongside numbers by Lili Boulanger, whose song cycle
               Clairières dans le ciel is the most substantial work included. Boulanger completed the work in
               1914, setting thirteen texts by the poet Francis Jammes on themes of love, loss and regret. The
               smallest details are mirrored in the music; we hear a heart fluttering “like an exhaustible
               fountain”, and a lover’s “passionate gaze” is set to rapturous, dreamy music. None of which
               prepares us for the devastating closer, an eight-minute lament compared by Dain to an operatic
               mad scene, her narrator “with nothing more” to sustain her. Dain, idiomatically accompanied by
               pianist Sam Armstrong, is magnificent, alternately consolatory and stentorian, her voice never
               sounding strained when she’s at full tilt. Sample her in the album opener, Boulanger’s “Attente”, a
               sensual Maeterlinck setting. Or in the heart-breaking closer, a previously unrecorded late
               fragment found in a Boulanger sketchbook, an unaccompanied Dain bemoaning the physical
               pains she’s suffering, asking “why do I always feel bad/it’s not fair”.
               The four Bacewicz songs make for an interesting contrast, their language clear, sharp and direct
               (Bacewicz studied with Nadia Boulanger in the 1930s). Dain and Armstrong bring them to life –
                                    th
               “Mamido”, setting a 10  century Arabic text, is irresistible. Five numbers by Szymanowski are
               lush, perfumed treats, the final “Lean silently over the cradle” the most striking, seductive lullaby
               you’ll hear. A marvellous recital, in short. Texts and translations are included (those from French
               and German made by Dain, who also contributes a fascinating sleeve note. Good sound too.
                        •   Forget This Night on Amazon
   304   305   306   307   308   309   310   311   312   313   314