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DEVELOPING NEW BUSINESS IDEAS54

               Non-traditional production sources included ski manufacturers, from
               whom spare capacity was bought on extremely economical terms to
               make tables, and a shirt manufacturer whose spare capacity was bought
               to make cushion covers. IKEA made use of a supermarket trolley
               manufacturer’s knowledge of strength and stability when designing its
               ‘Moment’ sofa in 1985.

                 IKEA challenged convention in its choice of raw materials: in the 1960s,
               the company led the trend to replace teak with less costly oak materials,
               and in the 1970s it championed acceptance of inexpensive pinewood
               furniture.

                 Cost control was paramount – company mythology relates the stories
               of Kamprad driving around a city at night in order to find an
               appropriately economical hotel and preventing a senior executive from
               flying first-class to an important meeting. IKEA’s value statement,
              Testament of a Furniture Dealer, which Kamprad wrote in 1976 to
               communicate the IKEA vision within an increasingly dispersed
               organisation, stressed that ‘expensive solutions . . . are often signs of
               mediocrity. We have no interest in a solution until we know what it costs’.
               The company website promotes the IKEA value of ‘finding simple
               solutions, scrimping and saving in every direction. Except on ideas’.

                 The IKEA retail experience was standardised with a strict conformance
               to a tight specification, whether it applied to in-store displays, the traffic
               flow, which maximised customers’ exposure to products by taking them
               through a four-leafed clover pattern, or in-store facilities.

                 Unlike traditional furniture retailers who relied heavily on in-store sales
               as a key promotion tool, Kamprad followed an aggressive and
               unconventional marketing strategy to pull customers into the stores,
               where displays, catalogues and good layout combined into highly cost-
               effective ‘silent salesmen’. Advertisements consistently positioned IKEA
               as a non-conformist within the industry.

                 New store openings were rolled out with military-style precision, with
               three distinct waves of activity: a ‘construction’ phase to establish the
               new store, a ‘build-up’ team to ready the staff and operations for
               opening, and an ‘operations’ phase which would kick in around one year
               after store opening. Where innovations in individual stores such as in-
               store cafés and supervised play areas for children were successful, they
               were progressively implemented across the retail network.
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