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DEVELOPING NEW BUSINESS IDEAS64

             arrange objects for a still-life drawing. The researchers noted that the
             most creative students – identified as those who were most successful
             seven years later – had played with more objects, studied them more
             carefully and chosen the most unusual objects for their composition, in
             comparison with their peers. In other words, the most creative students
             did not start with a fixed idea of their drawing; their visual themes
             emerged only as they actually handled the still-life objects.

             The power of an open mind is not a new discovery. Over two centuries
             ago, the German poet and playwright Friedrich Schiller wrote to a
             friend who had asked for advice on generating new ideas as follows:

             ‘The reason for your complaint lies, it seems to me, in the constraint which
             your intellect imposes upon your imagination . . . Apparently it is not good –
             and indeed it hinders the creative work of the mind – if the intellect
             examines too closely the ideas already pouring in, as it were at the gates . . .
             In the case of the creative mind, it seems to me, the intellect has withdrawn
             its waiters from the gates, and the ideas rush in pell-mell, and only then
             does it review and inspect the multitude. Your worthy critics, or whatever you
             may call yourselves, are ashamed or afraid of the momentary and passing
             madness which is found in all real creators . . . Hence your complaints of
             unfruitfulness, for you reject too soon and discriminate too severely.’

          deciding when to decide More recently, Karl Albrecht has

             coined the term the ‘creative procrastination zone’ to describe an area
             which you must learn to dominate, but where western action-oriented
             management culture tends to make us uncomfortable.47 Albrecht
             recognises that timing is everything – there is a right time for each
             specific opportunity, neither too soon nor too late. The trick lies in
             deciding when to decide. You need to judge how much time you can
             give yourself to shape the opportunity before you start to risk paying a
             penalty for delay. Jumping too soon in order to be ahead of the game,
             but when the opportunity is still very fuzzy, is as dangerous as leaving
             things too late, when you risk having only ‘me-too’ products with
             which to react. The power of a decision deadline is that it allows you to
             generate options and keep alternatives open rather than close them
             earlier than you need to. Crucially, it maximises the amount of time for
             you to suspend judgement.

             Albrecht also highlights how the level of analysis undertaken in
             shaping an opportunity is significant as well – being overly reflective
             and analytical can waste time and energy in studying unnecessary
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