Page 101 - The Art of Learning by Josh Waitzkin_Neat plip book
P. 101

This  new  perspective  opened  up  a  who le  new  vision  of  martial  intercour se.  I
                realized  that  whenever  I  could  cont rol  two  of  his  limbs   with   one   of  mine ,   I

                could   easily   use   my   unoccupied    arm   for   free-pi ckings .   Today,   techni que s
                around this idea are a staple in my compet itive martial style.  If even  for a bl ink
                of  an  eye  you  can  control  two  of  the  other   guy ’s  limbs   with  one  of  your s,  eithe r
                with   angle   or   timing   or   some   sort   of   clinch,   then    the   oppo nen t   is   in   gr ave

                danger.  The  free  hand  can  take  him  apar t.  Thi s  princi ple  appl ies  to  ne arly  all
                contact sports:  basketball,  football,  soccer,  wrestling,  hockey,  boxing,  you  na me
                it.   On   the   chessboard   it   is   also   relevant.   Any    moment   that    one    pi ece   can
                control,   inhibit,   or   tie   down   two   or   more   pieces,   a   potentially   critical

                imbalance  is  created  on  the  rest  of  the  bo ard.  On  a  deeper  level,  this  principle
                can   be   applied   psychologically    when ever    oppo sing   forces   clash.   Whe the r
                speaking    of   a   corporate   negotiation,   a   legal    battle,   or   even   war   itself,   if   the
                opponent is temporarily tied down qual itatively or energetically more tha n  you

                are  expending  to  tie  it  down,  you  have  a  large  advantage.  The  key   is  to  master
                the technical skills appropriate for appl ying t hi s idea t o your  area of focus .
                    I  was  familiar  with  this  competitive  pr inci ple  from  my  ches s  days,  but   it
                wasn’t  until  I  was  forced  to  train  one- han ded   that   I  began  to  unde rstand  ho w

                potently  it  could  be  applied  to  the   martial  arts.   I  woul d   nev er  ha ve  gue ssed
                that   I   could   control   two   hands   with   one   in   a   freestyle   exchange ,   but    to   be
                honest,  after  three  or  four  weeks  I  becam e  so  comfortable  fendi ng  off  bo th  my
                opponent’s  hands  with  my  left,     that   the   idea   of  ultimately  getting   my  right

                hand  back  felt  like  an  unfair  luxur y.  Thi s  injur y  was  becoming   a  tremendo us
                source of inspiration.
                    There  was  also  an  intriguing  physical  compo nen t  of  my  recovery.  I  want ed
                to  compete  in  the  Nationals,  so  bi zarre  tho ugh  it  may  sound  I  resolved  no t  to

                atrophy.   At   this   point   in   my   life   I   was   very   involved   in   the   subt le   int erna l
                dynamics  of  the  body  through  Tai  Chi   meditation.  I  had   an  idea  tha t  I  might
                be   able   to   keep   my   right   side   strong   by   intense   visual ization   practice.   My
                method was as follows:  I did a daily resistance worko ut  rout ine  on  my left side ,

                and after every set I visualized the worko ut  pas sing  to the  mus cles on  the  right .
                My  arm  was  in  a  cast,  so  there  was  no   actual   motion  po ssibl e—but   I  coul d  feel
                the  energy  flowing  into  the  unused  mus cles.  I  adm it  it  was  a  sho t  in  the   da rk,
                but  it  worked.  My  whole  body  felt  strong,  and  when   the  do ctor  fina lly  took  off

                my  cast  he  was  stunned.  Four  days  bef ore  the  National s  an  X-ray  sho wed  tha t
                my  bone  was  fully  healed,  and  I  had  hardly  atrophi ed  at  all.  The  doctor  cleared
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