Page 11 - The Art of Learning by Josh Waitzkin_Neat plip book
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beginners,  I  had  to  break  down  my  ches s  kno wledge  incr ementally,  whe reas  for
                years I had been cultivating a seamless int egration o f the cr itical inf ormation.

                    The  same  pattern  can  be  seen  when  the  art  of  learni ng  is  anal yzed:  the mes
                can   be   internalized,   lived   by,   and   forgo tten.   I   figur ed   out    how   to   learn
                efficiently  in  the  brutally  competitive  world  of  ches s,  wher e  a  moment   witho ut
                growth    spells   a   front-row   seat   to   rivals   mercilessly   passing   you   by.   The n   I

                intuitively   applied   my   hard-earned   lessons    to   the   martial   arts.   I   avoide d   the
                pitfalls and tempting divergences that  a learner is confronted with,  but I didn’t
                really  think  about  them  because  the    road  map  was  deep  inside    me—j us t  like
                the chess principles.

                    Since   I   decided   to   write   this   bo ok,   I   hav e   anal yzed   myself,   take n   my
                knowledge  apart,  and  rigorously  inv estigat ed  my  own  exper ience.  Spe aki ng  to
                corporate    and   academic    audiences    abo ut    my   learni ng   exper ience   ha s   also
                challenged    me   to   make   my   ideas   more   accessibl e.   When ever   the re   was   a

                concept    or   learning   technique   that   I   related   to   in   a   manner    too   abs tract   to
                convey,  I  forced  myself  to  break  it  down  into  the  incr emental  steps  with  whi ch
                I   got   there.   Over   time   I   began   to   see   the   pr inci ples   that    have   be en   silent ly
                guiding me, an d a systematic metho do logy  of learni ng em erged.

                    My  chess  life  began  in  Washington  Squar e  Park  in  New  York’s  Greenw ich
                Village,   and   took   me   on   a   sixteen- year-roller-coaster   ride,   thr ough   world
                championships      in   America,   Romania,   Germany,     Hungar y,   Brazil,   and   Indi a,
                through    every   kind   of   heartache   and   ecstasy   a   compet itor   can   imagi ne .   In

                recent   years,   my   Tai   Chi   life   has   become   a   dan ce   of   meditation   and   int ens e
                martial    competition,     of   pure   growth   and   the   obs ervation,   testing,   and
                exploration    of   that   learning   process.   I   have   currently   won   thi rteen   Tai   Chi
                Chuan    Push   Hands    National   Champi ons hi p   titles,   placed   thi rd   in   the    2002

                World    Championship      in   Taiwan,   and   in   2004   I   won   the   Chung   Hwa   Cup
                International    in   Taiwan,   the   World   Cham pi ons hi p   of   Tai   Chi    Chua n   Pus h
                Hands.
                    A  lifetime  of  competition  has  not  cooled  my  ardo r  to  win,  but   I  have  gr own

                to  love  the  study  and  training  above  all  else.  After  so  many  years  of  bi g  ga mes,
                performing  under  pressure  has  become  a  way  of  life.  Presence  unde r  fi   e  ha rdl y
                feels   different   from   the   presence   I   feel   sitting   at   my   comput er,   typi ng   the se
                sentences.  What  I  have  realized  is  that   what   I  am  best  at  is  not  Tai  Chi ,  and  it

                is  not  chess—what  I  am  best  at  is  the  art  of  learni ng.  Thi s  bo ok  is  the   story  of
                my method.
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