Page 164 - The Art of Learning by Josh Waitzkin_Neat plip book
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demonstrating  their  “power”  by  offering  the  expl anation:  “If  you  and  I  were  to
                spar,  I  might  kill  you.”  Whenever  I  hear   thi s  I  kno w  that   I  am  listeni ng  to  a

                charlatan—true  masters  have  control.  On  the  other   han d,  some  very  po werful
                skills  really  can  be  developed  and  it  is  true  that   the  gr eatest  secrets  are  ke pt   for
                a   very   select   circle.   There   is   always   the   linger ing   ques tion—w ha t   is   really
                possible and what is hype?

                    Until  I  went  to  Taiwan,  I  had  no  idea  what   to  expect .  And  sur e  eno ugh,  the
                top  competitors  were  armed  with  a  ski ll  set  I  had  never  dreamed  of.  The y  were
                remarkable     athletes   who   had   grown    up   in   a   cul tur e   that    cul tivated   the
                refinement     of   Push   Hands   in   the   same   way   that    the   old   Soviet   Uni on   ha d

                mastered     the   engineering     of   gr eat   chess   pl ayers.   Fo llowing   tha t   fi  st
                tournament,  I  was  armed  with  direct  obs ervation  and      many  hour s  of  vide o  of
                the  toughest  Push  Hands  players  in  the     world.  That   video   footage  of  the   top
                Taiwanese competitors would prove to be a cr uci al well of inf ormation.

                    After  my  first  trip  to  Taiwan,  I  saw  that   the  greatest  pr actitioner s  were  no t
                mystics,   but   profoundly    dedicated    martial   artists   who    had    refine d   certain
                fundamental      skills   at   a   tremendo us ly   hi gh   level.   The   subt lety   of   the ir
                unbalancing     techniques    was   sometimes   mind- bo ggl ing.   Whi le   an   unt raine d

                eye   might   have   seen   nothing,   thes e   pl ayers   were   us ing   incredibl y   po tent
                combinations     designed    to   provoke   the   tini est   of   leans—an d   the n   oppo ne nt s
                were on the floor. From 2000 to 2002,  I studi ed thes e tapes in  det ail and  slowly
                refined  my  game.  During  those  years  much   of  my  training       was  with  my  de ar

                friend   Tom   Otterness,   who   is   William   Chen ’s   senior   studen t   and   one    of   the
                most   powerful    internal   martial   artists   I   have   ever   kno wn.   Tom   is   a   scul pt or
                who  spends  his  days  molding  clay  and     who   subs equen tly  has  hands   and   arms
                that  feel  like  a  bear’s—add  over  thirty-fi  e  years  of  Tai  Chi   training  and  it’s  no

                surprise that Tom hits like an avalanche.  When  Tom and  I first started  worki ng
                together,  he  would  smash  me  all  over  the  ring.  I  felt  like  a  tenni s  ba ll  meeting
                a  wall  of  force,  and  to  make  matters  worse  Tom  was  also  a  heat-seeking  missile
                —there     was   no   avoiding   his   power.   I   was   forced   to   add   subt lety   to   my

                neutralizations    and   to   build   up   my   root I    so   I   could   survive   his   onslaughts.
                Working with Tom night after night  gav e me the  con               ce that  I coul d  stand
                in the ring with anyone.
                    When  I  went  back  to  the  Chung  Hwa  Cup  in  late  November   2002,         I  was

                ready,  or  so  I  thought.  By  now  I  had  won  the  U.S.  National s  for  thr ee  straight
                years.  I  regularly  competed  in  multipl e  weight   categories,  often  gi ving  up  over
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